I appreciate apologies, but like our Lt. Governor candidate Sue AnderBois has tattooed on her arm, I want to know, "What are you going to do about it?"Philanthropy Women Responds to Bill Gates’ Apology to His Foundation Philanthropy Women https://t.co/JLf91UtrJc
Monumental autobiography by one of North America’s greatest writers. Nearly 600 pages, feels like an epic, so bravely & with typical Atwood humor & remarkable recall; such courage to forge through the loss of Atwood’s dear, so special Graham Gibson.
After three months on strike, Butler Hospital and its striking unionized workers have reached a tentative deal.
https://t.co/hxH9jlJ8yR via @BostonGlobe
In her latest for @philanthrowomen, MADRE Executive Director Yifat Susskind highlights how feminist movements can become more self-sufficient and remain powerful in the face of authoritarianism. https://t.co/Dn4XNK77cF
Happy Birthday to @JoyceCarolOates . The author of sixty-three novels including We Were the Mulvaneys, Blonde, and (my favorite) You Must Remember This. I cannot imagine my life without the literary output of this civilized and civilizing woman.
Nawal El Saadawi’s words remind us that progress doesn’t happen in isolation — it happens when women come together, and raise their voices as one. We believe in the power of unity to create lasting change. Join us at https://t.co/gmohqKT79C
#Inspiration#MondayMotivation
Have you seen the newest arrival in Times Square?
Standing 12 feet tall in the middle of Manhattan is a bronze statue of a Black woman - hands on hips, braided hair, rocking a simple tee and pants - and we’re obsessed with the quiet power she holds. 💫
Titled ‘Grounded in the Stars’, and made by British artist Thomas J Price, the sculpture was created to reflect the everyday woman. Someone you might pass on the street, someone real. And it’s a powerful contrast to the monuments of white men just steps away. 👣
Of course, as with anything that challenges outdated ideas of who deserves to be seen, it’s sparked… mixed reactions. But Price’s hope? That this piece invites “meaningful connection”, and disrupts traditional ideas around ""who should be rendered immortal through monumentalization"".
We’re here for it and we want to know what you think. What does it mean to see a figure like this in one of the most iconic public spaces in the world? 💭👇