WELCOME TO THE JUNGLE BECOMES THE FIRST EVER FILM IN HISTORY TO HAVE POST-INTERVAL SCENE
NO, NOT END CREDIT, BUT POST INTERVAL!!
Wow!
#AkshayKumar#DishaPatani
TIGER SHROFF RETURNS AS THE FEROCIOUS RONNY - SAJID NADIADWALA UNVEILS 'BAAGHI 4' TEASER – 5 SEPT 2025 RELEASE... #TigerShroff returns to the big screen with #Baaghi4.
#Baaghi4Teaser 🔗: https://t.co/JWmRjwjvDV
#SajidNadiadwala introduces #MissUniverse2021#HarnaazSandhu, alongside #SonamBajwa, who joins the #Baaghi universe after #Housefull5.
#SanjayDutt plays the antagonist in #Baaghi4.
With story and screenplay by #SajidNadiadwala and direction by #AHarsha, #Baaghi4 hits cinemas on 5 Sept 2025.
For anyone who wonders why it is almost impossible to make a good and truthful Hindi film, what is happening with the Phule film is an excellent example.
Ananth Mahadevan directed the Hindi biographical film Phule, which focuses on the lives of social reformers Jyotirao Phule and Savitribai Phule.
The film, which stars Pratik Gandhi and Patralekhaa, is set to be released in April 2025 and will highlight the Phules' fight against caste and gender injustice in nineteenth-century India, as well as their pioneering work in education, such as creating the first school for females in Pune in 1848.
However, as soon as the trailer was out, Brahmin organizations in Maharashtra started raising their voices, claiming that the film defames their community.
I mean, sincerely, the film is literally about Brahmin atrocities against oppressed castes.
How they were denied schooling for hundreds of years and persecuted. These are known and accepted facts.
Specifically, critics contend that the famous scene in which Brahmin children throw garbage at Savitribai Phule is factually false and encourages casteism by portraying Brahmins as uniformly nasty. (And these are all true incidents, accepted by historians).
To handle the outcry, the filmmakers delayed the release by two weeks from its initial date of April 11, 2025 (Jyotirao Phule's birth anniversary).
To make matters worse, the Central Board of Film Certification (CBFC) has again played it's dictatorial role by omitted several portions illustrating caste-based discrimination, which weakens the film's message about the systemic oppression the Phules battled against. (List of Scenes in the Picture)
I've also attached a list of the censor board members; look at their surnames and castes.
How can anyone tell truthful and sincere stories in India? Seriously, how?