This documentary reignites Film Twitter’s most uncomfortable argument:
How does Takashi Yamazaki direct, write, and supervise Oscar-caliber IMAX kaiju VFX for roughly $18 million, while Hollywood studios spend $250 million on blockbusters that look unfinished?
Half the answer is having one visionary director instead of 12 studio executives and the other half is a conversation about Japanese VFX labor conditions nobody wants to have