Precision. Poise. Perfection. 🎯🥇🇮🇳
Heartiest congratulations to Jyothi Surekha Vennam, Chikitha Taniparthi and Prithika Pradeep on striking Gold in the Women’s Compound Team event at the #AsianGames2026!
With a sensational 238/240, equalling the World Record, our champions delivered a performance of extraordinary skill and composure on the biggest stage.
A golden moment for Indian archery. The nation is immensely proud!
I watched this video almost 11–12 years ago, and even today, it stands out.
If someone genuinely wants to understand what Hinduism truly is, I would strongly suggest watching this. It brings remarkable clarity about dharma, about oneself, and about why, at some point in life, almost every human naturally relates to Hinduism.
The video has been removed from the official channel, but I managed to find it on another one. What it contains is pure wisdom. It does not preach, it explains. It does not impose, it resonates.
If you watch it with an open mind, you may not feel the need to watch anything else. At the very least, it gives a clear surface-level understanding of Hinduism, and for many, that itself becomes a doorway to deeper inquiry.
A must-watch for anyone who is curious, questioning, or simply seeking clarity.
https://t.co/K6Tp1E22FC
Yesterday, I watched #Dhurandhar again and I want to talk about a FEW SCENES where #AdityaDhar has PROVED that he is the BEST FILMMAKER in India 🔥📈
1. The introduction of the film with #RMadhavan — the fourth-wall-break scene, the way he delivered the dialogue while looking straight at all of us… UNBELIEVABLE CAMERAWORK there 🎬
2. The blocks where #AkshayeKhanna’s gang takes REVENGE against the rival gang and how they KILL all of them… superb use of music, insane moving camera angles, the maverick filmmaking style PEAKS here🌋
3. The RED SCREEN scene after the 26/11 sequence and the close-up look at #RanveerSingh’s face… the ACTING PEAKS in that moment, but the way Aditya captured the emotions by focusing on his eyes, blurring everything else, and then cutting to FLASHBACKS… the nuance, damn 🤯
4. The CAR SCENE where Akshaye tries to KILL Ranveer, the fight begins, and the Humankind rap kicks in… the whole sequence is on STEROIDS with Ranveer PEAKING like something else. You can see the vision — nobody has presented RS like this. This is a DIRECTOR’S VISION 🫡
5. Last but not least, the CLIMAX where Ranveer’s past is shown in a subtle manner and then Part Two’s teaser starts… the agglomeration of different frames, Ranveer writing, the shades of his life, the glimpse of the second part, and then Ranveer saying “YE NAYA HINDUSTAN HAI, GHAR ME GHUSKE MAREGA.” 💥
So far we have seen SOUTH DIRECTORS rocking, but I am SUPER HAPPY that Hindi cinema has finally got its BEST MAVERICK DIRECTOR with both COMMERCIAL and QUALITY touch and he is even better than all of them 🔥 Kudos to @AdityaDharFilms 🙏🏻
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Named it to rhyme with 'Goodwill Hunting' :)
When fishermen cannot go to sea, they repair nets. When the sea is too rough to sail, the smart ones don't wait- they wait for the moment the storm breaks. Because even in stillness, they progress.
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It is with great joy that we inform all devotees of Prabhu Shri Ramlalla Sarkar that all Mandir construction work has been completed. This includes the main Mandir and the six Mandirs within the precinct, dedicated to Mahadev, Ganesh Ji, Hanuman Ji, Suryadev, Maa Bhagwati, and Maa Annapurna, as well as the Sheshavatar Mandir. Flags and kalash (pinnacles) have been installed on these Mandirs.
Additionally, the seven mandapas dedicated to Rishi Valmiki, Rishi Vashishtha, Rishi Vishwamitra, Rishi Agastya, Nishadraj, Shabari, and Devi Ahilya have also been completed. The Sant Tulsidas Mandir is also complete, and statues of Jatayu and the Squirrel have been installed.
All tasks directly related to the convenience and arrangements for devotees have been fully completed. As per the plan, road construction and stone flooring work are being carried out by L&T, while landscaping, greenery, and the development of Panchvati over 10 acres are being swiftly executed by GMR.
The only ongoing works are those not directly related to the public, such as the 3.5-kilometer-long boundary wall, trust office, guest house, auditorium, etc.
Time to do a live session on coming weekend to share with you my unique RED BULL 🐂 scanner.
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