‘COYOTE VS. ACME’ is finally playing in theaters!
• Warner Bros. tried to permanently delete the film for a tax write-off 3 years ago.
• It is now the highest-rated Looney Tunes movie ever.
Read our review: https://t.co/MBnTTEd1B2
Living my life like this constantly biting my tongue and literally almost in tears from frustration not vocalizing my peeves and annoyances
I am like a coke bottle with mentos in it I am waiting to explode
Luciano Tovoli on filming Suspiria (1977):
"I decided to intensively utilize primary colors — blue, green and red — to identify the normal flow of life, and then apply a complementary color, mainly yellow, to contaminate them. A horror film brings to the surface some of the ancestral fears that we hide deep inside us, and Suspiria would not have had the same cathartic function if I had utilized the fullness and consolatory sweetness of the full color spectrum. To immediately make Suspiria a total abstraction from what we call ‘everyday reality,’ I used the usually reassuring primary colors only in their purest essence, making them immediately, surprisingly violent and provocative. This brings the audience into the world of Suspiria. You say to yourself, ‘This will never happen to me because I have never seen such intense colors in my life,’ This makes you feel reassured and, at the same time, strangely attracted to proceed deeper and deeper into this colorful journey. With colors forbidden in reality, the Munich airport becomes Suspiria airport. Then, the first close-ups of her in a cab, as it’s raining furiously outside, express perfectly the dynamics of the full color palette I sought for the rest of the film — the pulsating, mixing and alternating primary and complementary colors."
— Suspiria: Terror in Technicolor by David E. Williams, published in the February 2010 issue of American Cinematographer