@ssh4net@colour_science To keep the ADs on our side, we need to get in, get what we need, and get out as quickly as possible while still fulfilling requirement A). We also may need to capture multiple IBLs per setup. Every second counts. 4/
@ssh4net@colour_science B) Acquisition speed • It varies from project to project, but film sets are not always the most VFX-friendly environments. When a director has the take they’re happy with, the whole crew naturally wants to get onto the next setup. 3/