கலைஞன் தான் விடைபெறுகிறார்
கலை காலம் சென்றும் உயிர்த்திருக்கும்
16 Vayathinile-ல் தொடங்கிய அந்த மண்வாசனைப் பயணம்…
கிராமத்தின் அழகு, மனிதர்களின் வலி, காதலின் உண்மை, உறவுகளின் நுணுக்கம் —
இவையெல்லாம் கையெழுத்தாக மாறியது.
கேமரா ஓய்ந்தாலும்…
அவர் உருவாக்கிய காட்சிகள் என்றும் பேசும்.
ஓய்வெடுங்கள் எங்கள் பாசதிர்க்குறிய பாரதிராஜா அவர்களே!
#RIPLegend #Bharathiraja
கத்துக்கனும்யா நம்ம @writersamas கிட்ட இருந்து நிறைய கத்துக்கனும்
காலாண்டு விடுமுறைல இருந்து கடைசியா தேர்தலுக்கு ஓட்டு போட்டு திரும்ப வரும் போதெல்லாம் கடுமையான போக்குவரத்து நெரிசலா இருந்தது
விஜிண்ணா ஆட்சி வந்ததும் 10 கிமீ தூரத்துக்கு அணிவகுத்து செல்லும் வாகனங்கள் ஆகிடுச்சு 👌
Karuppu is turning out to be a proper summer blockbuster. Even in its second week, theatres are still flooded with audiences. The sudden surge seems to be driven by the native Karuppusaamy climax sequence, which has connected strongly with the masses.
The movie is well made, packed with a few enjoyable slapstick comedy moments and fan-service recreations of scenes from older films. It’s purely a timepass entertainer, but never really gets boring.
If I had RJ Balaji’s number, I’d definitely ask him to include “Anga Idi Muzhanguthu” in the climax — that would have elevated the whole vibe even more.
Surya - Remember he was the one mostly bring family audiences to theatre. This is going to be history as summer vacation ends in next week only.
@RJ_Balaji
#karuppu
#CMJosephVijay
If 200 units free is given only to families consuming below 500 units, many middle-class households automatically lose eligibility even if they are not rich.
Earlier: Every family received benefit for the first 100 units irrespective of total usage.
Now: A family using 501 units gets nothing, while a family using 499 units gets the full benefit.
That is not a universal welfare milestone people expected — it becomes a government cost-cutting model by limiting beneficiaries through conditions.
A welfare scheme should reduce burden on people, not reduce the government’s beneficiary count.
#MichaelMovie
Watching Michael was one of the best moments I’ve had in a very long time.
The movie opened with that iconic legs-to-back pose silhouette, and when it transitioned into the flash of Michael’s face with “I’m Bad” playing, it genuinely felt like Michael Jackson himself had returned to the screen. Tears just flowed automatically.
What stayed with me most was how beautifully the film captured his journey — from a gifted child performer to a global solo phenomenon — while quietly reminding us how much of his childhood he lost along the way. The emotional layers behind the fame were deeply felt throughout the movie.
The scenes with Bubbles added warmth and innocence, showing the softer and lonelier side of Michael. The confrontation and firing of his father carried so much pain and release, revealing years of emotional burden beneath the superstar image. And the moments where Michael watches Charlie Chaplin were powerful, because they reflected the artist he truly was — not just a singer or dancer, but a performer obsessed with expression, silence, emotion, timing, and storytelling.
That is why Michael remains great beyond music. He was a complete artist — actor, storyteller, visionary director, perfectionist performer, and emotional communicator. Every movement, every pause, every expression had meaning. He didn’t just perform songs; he created experiences that felt cinematic and timeless.
And special mention to Jaafar Jackson — he didn’t imitate Michael, he brought his spirit alive. The body language, smile, intensity, and stage aura were so authentic that for moments it genuinely felt like watching MJ himself again.
MJ was a legend then, is a legend now, and will remain a legend forever.