sometimes I sip my coffee and reminisce about when social media was 90% bullshitting with my friends instead of 90% ads for perfume that smells like croissants
I just finished writing a grant proposal for an original immersive show with @infinitejester and I gotta say, collabing with him makes filling out forms fun instead of existential crisis inducing.
This is going to result in horrible, lifeless shows. You need human writers to write on the human condition and experience. You need human writers for media that truly makes us feel moved or inspired or less alone.
That's why the AMPTP finally agreed to staff writers getting a script fee. Because in their future, staff writers no longer exist.
Right now, TV writers make up the bulk of the Guild. In the companies’ ideal world, a TV show is written by one machine and one writer...
I don’t want to let the magic and sense of possibility of GDC go! So I won’t. I’ll bring this energy right back into my game design and collaborations the rest of the year until I see you all next time.
It took me awhile, but hi! I’m Rachel Zilberg. I’ve been writing and editing branching narrative games for 5 years. I’m currently a Senior Editor at Tap Story Inc.! #thisiswhatagamedevlookslike#GDC2023
okok now that I see everyone else posting hype for GDC, I'm feeling truly grateful to be attending on behalf of my current mobile game company (Tapfic) when last year I went to GDC totally unemployed and uncertain of my future.