@NatashaHodgson the biggest thing is not to over plant to begin with - give things space and see what likes the soil/light/pots you've got. the RHS has beginner's guides on their website https://t.co/MIPuxur2eE
The potential loss of both the Queer History and Black History MAs along with 40% of the Education Studies department who have fought for inclusive education for decades will be a huge loss to the history and teaching community @histassoc@1972SHP and must be fought against
Last month @RoyalHistSoc published an Update to its 2018 report 'Race, Ethnicity & Equality in UK History': https://t.co/mGJ0F0nv0R
The Update surveys developments in teaching and made special mention of the Black British History Masters @HistoryGold 1/3 ๐งตโฌ๏ธ
#twitterstorians
The comments here make it incredibly clear how necessary and important historical research and teaching like this is. It continues to show how it is the management of Goldsmiths who are not fit for purpose, not the staff
@DaveyCumming getting the Tories out is important but there's a reality of a lack of engagement with the current version of the Labour party and their remarkably familiar policies
What you need to know for polling day:
โ Donโt forget to bring photo ID
โ Donโt worry if your ID is out of date. You can use out of date photo ID, if it still looks like you and the name is the same as the one you used when you registered to vote.
@ZoeBobRoberts The Long Way to a Small, Angry Planet by Becky Chambers is amazing world building. Legends & Lattes by Travis Baldree is great fluffy holiday reading. An eternal favourite of mine is Travels with My Aunt by Graham Greene - we should all be more Aunt Augusta
Are you registered to vote?
โ There is only 1 week left to register to vote in the UK Parliamentary general election on 4 July. โ
The deadline to register is Tuesday 18 June by 11:59pm.
It only takes 5 minutes.
Register now ๐ฝ
https://t.co/f3iZY0E8Kn
I was also very disappointed to see a complete lack of knitting and crochet throughout the whole exhibition. Apparently some fibre arts traditions are still too craft to be considered proper art (3/3)
Just out of the Unravel Exhibition at the Barbican & was struck by several frustrating things despite some amazing pieces. Obviously at a base level there's an irony that the exhibition itself has become a site of protest due to the Barbican's actions towards Pankaj Mishra (1/3)
but I was also frustrated to get an underlying feeling of exoticising of fibre art in protest through a lack of examples from the UK and frequent reference to particular region's traditions as if it were unusual to have a long history of regional fibre art (2/3)