@TheKpopProf@Joelyn45205201 Hate these " hot takes" because it assumes that women (especially incredibly successful women) have no agency or say in their own lives. It's an incredibly patronizing and regressive take. Like a woman's worth is tied up in being chosen by a man.
@KHAMCHANH Thanks for your response! I really love Rose Sirinthip and Bird Thongchai and more recently The Tilly Birds and I have spent significant amounts of time in Bangkok and Chiang Mai,so I am always curious about Thai trends. All the best with your work!
@Kyunghoon_Kim_ Please let me know if I can be of assistance. I'm based out of Seoul now, but will be back in India in May and then likely back again in Korea in September. I have a background in public policy and I understand both countries.
A chapter I wrote about traditional artists getting no benefits from the surge in interest in Korean tradition just came out in this book. And if you don't have access but still want to read it, I hear that emailing the authors of academic articles and chapters usually results
By stumbling on Taslima Nasrin’s Nirbachita Column, I inherited not just my grandmother’s absence but also her complexity, her quiet resistance, her unarticulated questions.
https://t.co/CbkIwkDzOZ
Reeti Roy writes how inheritance is not only about continuity but also rupture.
'Light and Thread' is described by some as a stopgap between larger works. For this reader, it feels essential: not an explanation of Han’s novels, but a quiet demonstration of the mirrors she uses to catch whatever light is available. https://t.co/TMXqTGovIU
✍️Reeti Roy