Projection manager @mahoningdit, that guy in those movies (UNDER THE STARS on HBO, @AtTheDriveinDoc), retired OFCS gc. Occasionally found @Slant_Magazine
@LexG_III Tough call for me because I only half-watched it. I'd like to go back but there's too much else I want to do so I don't really see that happening. My gut says Clarke, though, and she did give us this image
this is what I mean about linklater being one of the only american directors that can block a scene anymore. look at the depth. if they shot this now it would be tight on billy's face with a blurred shallow focus behind him. co-sign the tweet too btw billy rocks
I’m right about renewable energy and electrification, I’m right about respirators and Covid, and I’m right about socialism and intersectional feminism.
For the first time yesterday, I experienced the new @alamodrafthouse QR code ordering system and I can tell you it’s truly awful. Rather than making ordering food and drink more efficient, it actually adds steps to the process AND if you want to order additional items during the film you HAVE to open your phone. No, your cute reference to that irony in your How To Alamo video doesn’t negate how ridiculous this is. Please don’t cut corners with your staff and revert back to physical menus and order cards.
You have to go see this if you have even a remote opportunity. The things Patrick and co. do with light are like the most graceful, expressive choreography. And Blake Draper, man. What a performance.
okay this is incredibly specific and i haven’t consulted many others on this opinion but it enrages me that there is no underground interchange between 30th Street and the subway
@LexG_III@GentleDoofus There's a line between appreciating the work in its historical context and being a thunderous dolt, and these guys are way over it in the wrong direction. Song of the South was backwards enough in its day that many black actors passed on it. I bet these guys mourn Aunt Jemima too
11 hours long, astonished me every minute. Anyone interested in film history should watch Brownlow's Hollywood which is free on YouTube! The orchestral scores provided for the silent films such as this one for The Wind (1928) are especially incredible.