Spielberg comes from an era when cinema’s images were the zeitgeist, prime center of public psyche. He himself was the best to do it. A formula that doesn’t work anymore… the film feels archaic and flimsy, yet precisely in that anachronism/naivete lies the pathos. Quite moving.
Disclosure Day. The film rests on an almost antique faith that a handful of singular images can still summon the public into collective awe. In reality that awe would be dissolved at once into claims of AI, fakery, psyop, or conspiracy, an anxiety the film itself half-admits.
The heated outrage about Scorsese using AI while working on storyboards does really drive the point home about how Americans are vehemently against AI (this is a neutral statement), can't fathom that kind of resistance over here tbh
I’m astounded by Backrooms, it’s actually quite good. Not ironically, not oh-what-a-promising-debut kinda way, just flat out good. Doesn’t over-explain or hammer out a stupid metaphor… one of the happiest surprises at the cinema I’ve had in recent memory.
How on earth is a 3-hour rambling drama gonna be well received at first glance, you really gotta digest it through
Plus Asako is Hamaguchi’s best, no doubt
the best movie trivia quiz is actually when your non-moviepilled coworker gives you a few vague statements about the movie they just watched and you noscope the title and lead actor and they act like you recited their social security number from memory
I realize this is the character flaw of every single person in the movie, but I genuinely believe if I was in charge, I could make a safe Jurassic Park