Paintings in @walkerartcenter, @artsmia, etc...
Words in @georgiareview, @kenyonreview, etc…
Album cover work and @pantone color developed with @boniver
@TrungTPhan It feels like Kitty Genovese to me. We're inviting a race of superintelligent vampires in and expecting things to go great for the humanity.
@filmstofilms_ What are you talking about?! He flippantly dismissed a different artform. It's no different than a football player saying, "I don't really fuck with hockey." Who cares.
@insufficentfund It's still monumental. I think the goalposts for A.I. shift with each accomplishment, and we'll keep doing this until we can't move the posts anymore. Humans will transition into the adoration of styles that A.I. can't replicate. A.I. will adapt. Humans will follow. And so on..
@artmarkham@nordicinst@nytimes Same reaction, preferred the human except for the Sagan. I think the A.I. is getting better at avoiding clichés and improving clarity. It's unsettling and will definitely change prose writing. Creative writers will lean into styles that the A.I. cannot easily mimic (slang).
@timchals Statistically, I think Timothy underestimated ballet/opera audience size. We're talking 60 million a year. And yet, cinema (without TV) has an audience of around 5 billion. I don't think he meant to offend; he just wants his artform to be engaged with by the whole planet.
@CinemaTweets1 1. Train Dreams 2. Marty Supreme 3. Secret Agent 4. Sentimental Value 5. Bugonia 6. OBAA 7. Sinners 8. Hamnet 9. F1 10. Frankenstein. OBAA wins deserved awards for Best Picture, Best Director and Best Editing, maybe more. It wasn't my favorite, but we're all biased viewers.