Osamu Takahashi

[Osamu Takahashi @samegai]

よろしくお願いします🙇‍♀️

[株式会社ミュージック・マガジン @MMRC_magazine]

8/18発売 レコード・コレクターズ増刊号のお知らせです。

『＜レココレ・アーカイヴズ＞1968-1969年の音楽地図』
定価1980円（本体1800円）

社会が転換期を迎えていた1960年代末、世界ではどんな音楽が生まれ、ヒットしていたのか──。好評だったレコード・コレクターズの特集2回分を復刻！

[Osamu Takahashi @samegai]

@sasakiatsushi 子供の頃から英会話教室に通ってて、韓国語より前に英会話ができたのです

[Peter Barakan @pbarakan]

Wow!

[Osamu Takahashi @samegai]

23年前のこの日、脳腫瘍のため亡くなったセリア・クルーズさんを偲んで

[Juana Peña @Chris_Montz]

Recordando a Celia Cruz, fallecida un día como hoy, hace 23 años, a causa del cáncer cerebral que padecía.

[株式会社ミュージック・マガジン @MMRC_magazine]

【追悼ジェイムズ・ブラッド・ウルマー】

『ミュージック・マガジン』1983年5月号、6月号に掲載されたインタヴュー（聞き手＝中村とうよう）をnoteで販売いたします（途中まで無料）。最新号の追悼特集と合わせてお楽しみください。

https://t.co/nvRhZLKjIe

[Osamu Takahashi @samegai]

「帰ってきたウルトラマン」の略称はカエマンだと思うのだが。「帰ってきた」を子供は「帰り」とは略さないと思う

[Osamu Takahashi @samegai]

すごいなー、韓国の林明美ファンだ。「ウテナ」の林明美作監回が印象的なのはコンテが橋本カツヨ＝細田守だからで（逆に林明美だったから今日の細田守がいるとも言える）、「フルバ」に至るのは「ナースエンジェルりりかSOS」（特に最終回のひとつ前の回）があるからよ。

[Kimmanuelkant @Kimmauelkant]

<후르바>를 좋아하는 이유는 여러가지가 있는데, 그 중에서 가장 큰 이유는 이 작품의 작화감독이 하야시 아케미 이기때문이다. 71년생 작품 방영당시 고작 30세에 불과한 이 애니메이터를 기억하는 이유는....그녀가 인생작 <소녀혁명 우테나>에서도 작화감독을 했기 때문이다.

[Janet Jackson @JanetJackson]

Okini, Kobe! Okini, Osaka! Yokohama, we’ll see you in a few days! 🫶🏽

[村井康司 @coseyroom]

『マイルス・デイヴィス・ディスク・ガイド』（村井康司監修）の生誕100周年エディション、2011年の復刻に32ページを追加して、最新情報までをカヴァーしました。マイルス・コレクションの頼りになるガイドです！
#マイルスデイヴィス　#milesdavis
#レコードコレクターズ

[Osamu Takahashi @samegai]

よろしくお願いします

[株式会社ミュージック・マガジン @MMRC_magazine]

6/12発売 レコード・コレクターズ増刊号のお知らせです。

『マイルス・デイヴィス・ディスク・ガイド：生誕100周年エディション』
定価2420円（本体2200円）／A5判256ページ

今、再びマイルスの扉を開く。未発表音源集や関連作の記事を大幅に追加し“生誕100周年エディション”として復刻発売します！

[Osamu Takahashi @samegai]

ケニー・ビーがそんなことになってたとは。でもまあ最終的に幸せならば、いいじゃないの。『上海ブルース』好き

[Fairice @yibingsg]

当年，钟镇涛跟着小10岁的女友章小蕙回家见岳父，下跪求娶章小蕙，看着门不当户不对的钟镇涛，章爸爸说：“劝你放弃这个想法 ，我女儿你养不起。”
钟镇涛很笃定的说：我很红，养她没问题。
结果没过几年钟镇涛就破产了。

[Osamu Takahashi @samegai]

そうなの？ 松本隆信者だったのか。初めて聞いたw

[newmochitaro @newmochitaro]

（ニュー）ミュージック・マガジンは、'98年から20年編集長うぃ務めた高橋修も松本隆信者的な人で、就任当時萩原健太夫妻と共に当時流行り出したモーニング娘。を「あんなのはアイドルじゃない」と叩き捲ってたんだけど、その後その3人が次々とハロプロに陥落していく様子が当時むちゃむちゃ面白かった

[Catsuka @catsuka]

"Chinese Animation - A Century".
A documentary by Sun Lijun, coming in Chinese theaters on June 1.
https://t.co/RZiac4XnHF

[Osamu Takahashi @samegai]

@BejpOaSlW547737 @imbluemania じゃあ何のネタよ？ 笑ったんだろ🤣

[Osamu Takahashi @samegai]

@BejpOaSlW547737 @imbluemania ネタ？ ではあなたはこれで笑ったのかw

[A Queen Of Magic @aqueenofmagic]

Fans of the iconic rock group Queen were recently delighted when it was revealed that the band's bassist, John Deacon, 73, had reunited with surviving members, guitarist Brian May, 78, and drummer Roger Taylor, 76, for the first time in 30 years. While it wasn't for a return to a public stage, it was simply an autograph session. The trio signed a copy of the album *A Night At The Opera*, which will be part of a silent auction at Freddie Mercury's annual birthday celebration in Montreux. However, it was enough to generate excitement when it was confirmed that it was a fresh, new autograph signed for a good cause. The event is a fundraiser for the charity established in Freddie's name after his death. The Mercury Phoenix Trust confirmed that John had recently agreed to sign the record despite having lived out of the public eye for decades.

Although he still has an interest in the band and has to approve business decisions, he stepped away from music shortly after the death of lead singer Freddie Mercury in November 1991 at the age of 45. His last public appearance with the band was almost 30 years ago, on January 17, 1997, at the opening of the Béjart Ballet in Paris, where they performed "The Show Must Go On" with Elton John. Roger Taylor recalled in an interview: "That was John's last performance, and I could see he wasn't happy because he was chain-smoking and very, very nervous, and he'd been seriously traumatized by the loss of Freddie."

Brian added: "Deacy, our dear friend John, I think he didn't reach the same places we did... John is really very uncomfortable with all of this. You can see how his whole body reacts against it. And in the end, he says, 'I can't do this again. I can't do it.' And it was true; that was the last time John played with us in public."

Brian and Roger have continued touring as Queen with former American Idol contestant Adam Lambert, but John has never joined them on stage.

So what has the elusive bassist—the youngest and always most reserved member of the band—been up to for the past three decades? The answer is, not much rock and roll, as the star has been living a quiet family life with his wife and six children—Luke, Laura, Cameron, Robert, Michael, and Joshua—in London.

Since he still retains a stake in Queen Productions Ltd., the music legend, who penned several of the group's best-known hits, such as "I Want To Break Free," continues to generate income from the band without the need for grueling world tours. In an interview with Mojo earlier this year, Brian confirmed John's ongoing contribution to the band. "John still has a say. We're told he's happy with what we're doing, but he doesn't want the stress of being creatively involved, and we respect that," he said.

He didn't even attend the premiere of the band's biopic, Bohemian Rhapsody, in which Joe Mazzello played him, nor did he participate in any promotional activities for the Oscar-winning film. However, it was reported that his son, Luke, had instructed Joseph on his father's mannerisms.

Public sightings of John have been rare, although his address is common knowledge among fans who sometimes gather at his home. In September 2023, one of them knocked on his door and gave him a painting. While, according to social media posts, their interaction with him was positive, many other fans were outraged by this perceived invasion of his privacy.

When John is seen, he seems a world away from his rock star days and is most likely to be found in jeans and a sweater, often smoking a cigarette. His luxuriant curls are gone, and he looks about 73 years old. A fan on Reddit who claims to have met him wrote: “Upon seeing him, I knew it would be extremely awkward and strange to approach him. Not because he’s rude or anything, but because he just looks like any other elderly gentleman living in southwest London. He and his family are very down-to-earth and quite polite… I get the feeling that this whole Queen circus is rather irritating, considering he’s more focused on family life and retirement.”

While this latest contribution to the group is unlikely to lead to anything further, it has given some fans a glimmer of hope that he is finally coming to terms with his legacy.

#JohnDeacon #Queen

[Osamu Takahashi @samegai]

追悼大野雄二様
https://t.co/t64dZHtg1x

[Osamu Takahashi @samegai]

この映画と関係ないけど、クォン・へヒョの朝鮮学校支援イベントを見て、彼らは朝鮮の伝統衣装や音楽、舞踊を学ぶ機会があって羨ましいと思った。日本の学校で和服の着付けも、浄瑠璃も浪花節も（つまり日本民族とは何かを）教えないのに、「日本文化を大切にしない外人は帰れ」とかよく言えるよ

[中井 圭 @nakaikei]

『トロフィー』（7/10公開）を観た。これは少女の成長の物語としても、ある家族のドラマとしても、かなり良作ですよ。

在日コリアンの少女が、大ファンであるBTSのライブに日本人の友だちと行きたいが為に、朝鮮学校の校長である父が大切にしていた北朝鮮の勲章をフリマで売ってしまう。

聞いただけでもちょっとうろたえるようなこの設定が浮き彫りにするのは、各世代の価値観や文化、在日コリアンの親と子の関係性、現代日本で生きることの理想と現実、これらの衝突。それを過度に荒ぶるわけでもなく穏やかに、少女と同じ目線で見つめるのが、今の時代の理性。

その複雑な状況の中で、本作の鍵になるのが、少女が部活で取り組む朝鮮舞踊。この構成も上手いし、切実さがある。監督は、在日3世の孫明雅さん。長編デビュー作としてかなり良いと思う。

[Osamu Takahashi @samegai]

「H2Hのあのダンドゥットっぽい感じの衣装のほうが、まだこの2つの衣装よりマシだよ」って訳されるんだけど、H2Hよりエスパの方がダンドゥットっぽくないか？

[키야🕐🌧️ @retafamu]

sedangdut-dangdut nya h2h masih mending daripada 2 outfit ini 😭😭

[スポーツ報知 芸能情報 @hochi_enta]

尾崎亜美、デビュー５０周年で初のインストアイベント開催　「幸せな５０年だった」と感謝 - スポーツ報知 https://t.co/mMzZY1lob4