I move like lasagna. Married to @Schmrypta and the game. Almighty God of the Schmryptoverse, Steward of the Mallary Archive. Richest person in the world (again)
Come see us at 110 West Dallas St for the Supply & Demand show, open now!
I’m a bit biased but I think this is the best curation we’ve seen at Art Blocks weekend!
Eight hours left for @redbeardnft to agree to attend the Dallas Summit.
I hope he’s smart enough to show up, but I’m not gonna pretend I’m not looking forward to this little ceasefire expiring in a few hours otherwise.
@Sadboi0808@Sneketoshi For starters:
@redbeardnft@eli_schein@Rhynotic
To my knowledge, those three are the most active and complicit in the Cabal’s criminal racketeering operation, and likely the most rewarding to ostracize if we ever want this space to be taken seriously.
Gm!
Enjoy Houston! Not necessarily the most cowboy-y bit of the state, but you’ll have a great time.
Museum of Fine Art Houston is worth a visit, huge multi-museum campus connected by tunnels.
Also home to the Trinity Estuary, where I was born, though admittedly that’s less of a tourist draw.
Real artists and builders are messy, complicated, often unpleasant people.
They can be difficult to deal with, even for their fans.
Their point-of-view is impossible to put into a neat little box for easy consumption.
Sociopaths, on the other hand, are lots of fun!
Just like the original artists and builders, but better!
@OnlyCapi Similar experience myself, and I think a lot of professional artists have an origin story like that.
The kids I went to art school with who never got hard pushback aren’t artists any more.
I went to art school with Rob (hi Rob) and I distinctly remember Professor Metz telling him he would never make a living as an artist.
Twenty years later and I suspect that Rob has made many times more from his art than Metz ever did.
I guess the moral of this story is fuck the haters, you do you.
@OhHungryArtist It’s such a false dilemma too; even if you play along they eventually find some reason to move on and leave the artist and the other victims alone together to sort out the mess.