EPSRC project that brings the latest technologies to bear on the entire recorded music industry, end-to-end, producer to consumer, creating music for the 21c.
Day 3. I am in a giant hedgehog (yes, really) demonstrating the entire 4 year Numbers into Notes archive, plus software, arduino, & stylophone. The last @semanticaudio all-hands. Thanks to Mark Sandler for a fantastic project. @OxfordeResearch
Day 1 of four exciting days of Ada Lovelace and music - today I heard the Lovelace Engine played for the first time, at the rehearsal for Saturday's premiere of Alter by @Robert_Laidlow &AI #RNCMPRiSM@semanticaudio@OxfordeResearch
I'll be playing our Lovelace "scientific music" fragments in my music talk at the DH Intro workshop this afternoon. If anyone rlse would like to hear them, pop in to O'Reilly at 3.30pm on your way to afternoon coffee... #DHOxSS2019
After a busy week of events, find out how a collaboration between the Oxford team in the EPSRC FAST project and the @RNCMvoice is leading to exciting new music research and compositions. @semanticaudio@dder https://t.co/PZ7SwLP8AD
Composer @Robert_Laidlow reveals the AI-generated sections in tonight's human-performed piece. I'm sure it's getting harder to tell, compared to the Barbican performance and our recent workshop at @turinginst ... @RNCMvoice @semanticaudio#RNCMPRiSM#FutureMusic
Data musician Shelly Knotts explains a short history of Live Coding to a packed studio. Process rather than genre. Editing code live on projected screen (I'm terrible at that!) Sonic Pi piece to follow... @RNCMvoice #RNCMPRISM#FutureMusic