The 2026-7 season at Carnegie Hall @carnegiehall will feature the first complete Ring cycles there, in concert performances by Oper Zürich @operzuerich conducted by Gianandrea Noseda @NosedaG in March 2027. (Pic: StrangeTraveler)
Discover the new website dedicated to THE NOSEDA EFFECT, a documentary offering an intimate portrait of conductor Gianandrea Noseda. Information about the project and access to the platforms where the documentary is available to watch.
https://t.co/VEX6bhMObC
Yesterday, I was honored to co-host a 100th birthday celebration for friends and colleagues of the great William F. Buckley, Jr. Yes, that's an edible Buckley stamp cake! We toasted repeatedly to WFB and how he, the Happy Warrior, changed the world!
@pjtray@jer120
In celebration of William F. Buckley, Jr.'s 100th Birthday, today I release a recording, dedicated to him, which I made on his Bösendorfer piano in NYC several months after he passed away in 2008. This includes an introduction by Linda Bridges, @NRO's legendary editor and WFB righthard, who arranged for the recital. Linda passed away in 2017. Here's my article about the recording with a link to the album in the comments section. Beethoven’s "Diabelli," a WFB favorite, is the centerpiece of the album.
@NR_Institute@FiringLineShow@JamesRosenTV@JamesPanero@jackfowler@pjtray@RBrookhiser@WashTimesOpEd@thedispatch@kathrynlopez@continetti
https://t.co/l7W00HPbBz
"A Christmas Carol" was included in NPR’s All Songs Considered: The Best New Albums Out Dec. 5.
Thank you to NPR for the feature.
Listen to NPR's playlist:
https://t.co/rY0HDpJ3ZA
Buy/ stream 'A Christmas Carol': https://t.co/3FgDaHIF8q
@semantixcreativ@nprmusic#Skylark15
LISTEN to me play J.S. BACH on William F. Buckley, Jr.'s Bösendorfer piano! Here is the first track from the album which I will release on Nov. 24, 2025 to celebrate WFB's centenary! This A-Flat Major Prelude and Fugue by J.S. Bach was recorded on July 14, 2008, several months after WFB passed away. I played the last recital at the Buckleys' East 73rd Street Maisonette before it was sold. Watch out for the complete album on Nov. 24, 2025. It will include Bill's favorite "Diabelli Variations" by Beethoven. I have kept this in my archive since 2008 and am excited to share it. #Bach #piano
https://t.co/yr7Npi95Px
Profile of Gianandrea Noseda in @thetimes, just in time for the release of his nearly decade-long project to record the Shostakovich Symphony Cycle with @londonsymphony:
https://t.co/ktyaZyHtJI
Democrat-aligned power brokers at the Kennedy Center love Gianandrea Noseda for putting the National Symphony Orchestra on the map; their GOP counterparts appreciate his apolitical, nonwoke artistic vision, writes Barton Swaim
https://t.co/romFUfVoBE
“Under the music director Gianandrea Noseda, the National Symphony has joined the first rank of American orchestras.”
Read “Capital notes,” by Paul du Quenoy. @NatSymphonyDC@kencen@NosedaG
https://t.co/tYD1hgMTI8
Join us at the Apple Carnegie Library on 9/29 as Musical Director @NosedaG shares the story of the NSO, before a special live performance & Spatial Audio listening experience of our new album
The event is free, but spots are limited. Sign up at https://t.co/lFnQWJvJKW.
I was honored to film this from high atop a church steeple last night in Salzburg. That's a performance of Jedermann, the iconic play, which has served as a centerpiece of the Salzburg Festival since visionary founder Max Reinhardt first produced it at this location in 1920.
After flying over the Fuji we arrived in Osaka! Visit to the Osaka Castle and some rest before tonight concert! Toi toi toi National Youth Orchestra of USA and @raychenviolin !
#osakasymphonyhall
An excellent defense of the importance of classical music, TV, Theater and popular music critics and reviews @nytimes after the unceremonious reassignment of four top critics at NYT, including the gifted Zachary Woolfe, classical music critic. I would add to this essay by @tnyfrontrow that criticism itself us an art form worth defending. The chronicling of performances over decades "paper of record," is exactly that, a record of what took place! If there's no longer a record then it is just simply a paper. I'm curious what Broadway producers will do without an NYT blurb. Will it matter?