Spike Lee has long been one of Americaās most incisive visual historians, and with #Netflix āKatrina: Come Hell and High Waterā he returns to the documentary form that made his āWhen the Levees Brokeā an indelible chronicle of human loss and government failure joining directors Geeta Gandbhir and Samantha Knowles. This new series feels less like a retelling and more like a reckoning. Where many projects about Hurricane #Katrina fixate on the storm itself, this project insists on centering the people ā their testimonies, their rage, their resilience.
Terence Blanchardās score works as a haunting second narrator. His compositions thread together moments of unbearable grief and fragile triumph, balancing aching melodies with silences that feel as heavy as floodwater. Itās music that mourns but also insists that memory has a pulse.
The use of never-before-seen footage is startling, not for its spectacle but for its intimacy. Viewers see families trapped, neighborhoods drowned, and then ā crucially ā the aftermath: the slow abandonment of a culture that had once been one of the most vibrant in America. Every frame reminds us that this was not just a natural disaster but a moral one, where hours mattered and lives were left waiting.
This series refuses sentimentality and instead creates space for raw first-person accounts ā voices that still crack when recalling the smell, the waterline, the silence after help never came. The series becomes a canvas of grief and survival, painted by those who lived it. In their words, you hear not just memory but indictment: a country that allowed its own citizens to drown in neglect.
Two decades on, the storm still rages in their voices. Thatās the point. #katrinacomehellandhighwater is not simply about looking back; itās about recognizing that the wounds remain open. One can say this is essential viewing, not because it is flawless, but because it is urgent. Lee, Gandbhir, Knowles, Blanchard + more, have created not just a docuseries, but an elegy for a culture nearly washed away ā and a demand that we remember the cost of forgetting.
As a New Orleans girl, who no longer lives there, I must admit I was grateful to not have to spend the day talking about Hurricane Katrina
I know we have to remember ā¦but I donāt want to remember (and I know Iām not the only one). Thereās nothing to remember but sadness and what was because things were never the same
This is 16 year old me living in Katy, Tx for the year after the storm and as someone who usually smiles through pain, I kind of love all of the pics capturing my misery that year.
My dogs was killedā¦everything I owned was gone⦠we searched for missing relatives for month⦠watching relatives break down with the realization that our city was destroyedā¦the media I now work in called us refugees!
There were people who had it so much worse- losing their lives, swimming in that water, being trapped in their attics
I have been blessed to travel the world and it has shown me there is no place in the world like New Orleans. I will always be proud to be from New Orleans and Iām proud of how it has fought for its existence and authenticity
But I will always be sad for all of the trauma we have endured and carry in our bodies
Love you always New Orleans š¤
Weāll never forget but also maybe itās ok to not remember too hard
As a New Orleans girl, who no longer lives there, I must admit I was grateful to not have to spend the day talking about Hurricane Katrina
I know we have to remember ā¦but I donāt want to remember (and I know Iām not the only one). Thereās nothing to remember but sadness and what was because things were never the same
This is 16 year old me living in Katy, Tx for the year after the storm and as someone who usually smiles through pain, I kind of love all of the pics capturing my misery that year.
My dogs was killedā¦everything I owned was gone⦠we searched for missing relatives for month⦠watching relatives break down with the realization that our city was destroyedā¦the media I now work in called us refugees!
There were people who had it so much worse- losing their lives, swimming in that water, being trapped in their attics
I have been blessed to travel the world and it has shown me there is no place in the world like New Orleans. I will always be proud to be from New Orleans and Iām proud of how it has fought for its existence and authenticity
But I will always be sad for all of the trauma we have endured and carry in our bodies
Love you always New Orleans š¤
Weāll never forget but also maybe itās ok to not remember too hard
Twenty years ago today, Hurricane Katrina made landfall in New Orleans. At approximately 5:00 AM, the levees broke, flooding 80% of our city. As a result, an estimated 1400 people lost their lives and hundreds of thousands lost their homes. Over half of the victims were Black.
Today, we acknowledge and remember Hurricane Katrina, the Category 5 storm that resulted in over a thousand deaths, billions in damages, and the displacement of over 1 million people. 20 years later, this event still echoes today. We mourn the loss of Black life. š¤
In 2005, Hurricane Katrina devastated the Gulf Coast, claiming 1,700+ lives and displacing over a million people.
This tragedy laid bare harsh truths about our nationās vulnerabilities and inequities and revealed just how quickly entire communities can be abandoned when they need help the most.
Today, we honor those we lost and the survivors by recommitting to a future where no one is left behind in the face of climate disasters. #Katrina20
"The last time I checked, Meghan [Markle]Ā is not dropping bombs on people, she's not annexing nations, she's not a paedophile. Yet there's way more coverage...directing hate towards her than people that are really hurting people."
Photographer and activist Misan Harriman tells @krishgm on the latest episode of the Ways to Change the World podcast.
Iām not sure what black woman experience @andrewschulz has had, but it hasnāt been the real āblack girlfriend effectā. To insult black women and described them as complainers & abusive isnāt just untrue. Itās disrespectful. Even worse, James Duncan & Fuhad Dawodu allowing him to say it is more insulting.
Andrew Schultz spoke that way in front of two black men because they allowed him to. They made him comfortable enough to disrespect black women because they didnāt force him to respect them.
My experience is that black women are powerful, beautiful, strong, and supportive. They prioritize black family, community, & culture. They take steps back to push their men, and families forward. So, no Andrew the āblack girlfriend effectā is nothing like what you described. Iām just upset that you donāt have enough solid black men around you to tell you differently!
Isaac Asimov - 44 years ago. Never gets old, it seems.
āThere is a cult of ignorance in the United States, and there has always been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'ā
https://t.co/n4WpEWOM93
Rico Wade was a genius and a gentleman. In 1993 I called LaFace to ask about the OutKast snippet on their Xmas sampler. I found out Rico was in NYC to master the SouthernPlayalistic album, which he played for me at the Hit Factory. He was kind and truly brilliant. What a loss. š
What I am learning today is the standards are much higher to be a Fulton County DA than they are for running for President of the United States!
#TrumpIsATraitorAndCriminal