@reidwriting Hey thanks so much Gabrielle! Yep 'S' is definitely one of the inspirations for Ephemeral City. Also, you're the *only* reader so far who's come back to me about Ghost Minor. Even reviewers missed it.
@TinyOwlWorkshop Since getting reacquainted with mastodon, I’ve been reminded what the twits used to be like: insular, clubby, and definitely messy. Not a commons, but genuine small interactions with people.
@TroveAustralia When the time comes, there are at least two complete (or near complete) physical archives for Time Off. When I was working with @SeanSennett on Off The Record, it was sometimes just as fun looking through the ads (dodgy and otherwise) as it was the articles.
Uniqlo email describes a new collection as "inspired by British Modernism." I click, expecting radical irruptions of form and content, densely allusive polyvocal collage, the inescapable trauma of WWI, a crisis of faith under capitalism, fascism's pull. But it's just trousers.
A lovely review of BitBH. One statement I disagree with, though: “Kasper is generally oblivious to the dangers and worries which swirl around him...” Not the case. Look closely at his unique ‘language’ and you’ll discover he is keenly aware.
#NoVoices
https://t.co/EGoa4ZUKPI
Happy Australian book birthday for my 2022 novel, Boy in the Blue Hammock (although, due to being imported, it’s more like a stork delivery than an actual birth). I hope it finds a few readers.
#Disability#IntellectualDisability#NoVoices#NewRelease
https://t.co/FYM9RA6Fbg