Ezequiel Pini (Six N. Five)

Digital and Physical explorations art studio.

[Ezequiel Pini (Six N. Five) @sixnfive]

I’m excited to share “Species” (~2min shortfilm)

Nature, as we know it, is governed by organic and sinuous forms, from cells and organs to planets and the cosmos. In recent years exploring the concept of digital nature, for this piece I set out to remagine some species through the lens of geometry, where the elegant and fluid lines of nature are transformed into sharp and precise edges. Dominated by rhombuses, squares and straight lines to generate a world so unique and personal.

On view at @LOADgallery from Saturday 24th to March 30th

Always thankful to the talented people that helped me to make this piece real in different parts of the process
@andylipe @mascaraque_ @NilEstany Federico Piccirilo @MaximilienVert @tallmann_
And, most importantly, to the masterpiece music by @aimarmolero, expanding this concept also in the creation of audio.

[Ezequiel Pini (Six N. Five) @sixnfive]

Flecha began with a simple idea: can a stone become a direction?

A physical fragment of matter born from the studio, composed by a mixture of small stones, some pieces of the old studio wall, concrete, and electronics, becomes the geological interface. As it turns, the landscape reacts.

There is something I like in this relationship an object you can touch and control, guiding something weightless and constantly changing, with a visual output out of human control.

Different variations, different landscapes, the same stone.

Flecha, 2026.

[Ezequiel Pini (Six N. Five) @sixnfive]

@RikOostenbroek 🙌🙌🙏🙏

[Ezequiel Pini (Six N. Five) @sixnfive]

The Remaining View is a simple idea, with the intention that the blind doesn’t simply cover the landscape, but that the landscape reorganizes itself around what is still visible. The tree bends, the sun moves, and time passes. Instead of hiding behind the horizon, the sun becomes the moon, rolling through the grass.
It’s still a piece in evolution, and I’m continuing to push the technology behind it, but I really liked the simplicity of the idea and couldn’t resist sharing it already.

[Ezequiel Pini (Six N. Five) @sixnfive]

@justintrimble Thanks dude!! On it

[ชาชัก @awut_war]

เวลามองขึ้นไปบนฟ้า ใครเป็นงี้บ้าง?

[Ezequiel Pini (Six N. Five) @sixnfive]

@DavidAriew Thanks dudeee

[Ezequiel Pini (Six N. Five) @sixnfive]

@andreabonac ❤️❤️

[Ezequiel Pini (Six N. Five) @sixnfive]

@thatguygeo Thanks sir!!

[Ezequiel Pini (Six N. Five) @sixnfive]

I’ve been thinking a lot about what happens when digital work starts asking for a physical presence.

Earth and Signal brought together some of the works that came out of that transition — stone, light, movement, screens, interaction.

Seeing them all in the same space made something click for me.

[arkM @solamentemark]

Increíbles obras de @sixnfive un gran placer haber aportado mi granito de arena.

[Ezequiel Pini (Six N. Five) @sixnfive]

Archipelago, test nº21

[Ezequiel Pini (Six N. Five) @sixnfive]

@fellazb Thanks for these warm words

[Ezequiel Pini (Six N. Five) @sixnfive]

Holding the Horizon

[Ezequiel Pini (Six N. Five) @sixnfive]

@SLE3PR 👌👌

[Ezequiel Pini (Six N. Five) @sixnfive]

@TheKangFilms 🥰🥰🥰✨ coming soon taking shape

[Ezequiel Pini (Six N. Five) @sixnfive]

@Noahbolanowski @justintrimble 🥰🥰

[Ezequiel Pini (Six N. Five) @sixnfive]

@Inspector_9 Thank youu ✨🙏

[Ezequiel Pini (Six N. Five) @sixnfive]

Archipelago, test nº21

[Ezequiel Pini (Six N. Five) @sixnfive]

+15 years of work

[Ezequiel Pini (Six N. Five) @sixnfive]

A living field of digital flowers responding to the presence of physical matter.
Umbral (2025)