Associate Professor of Film and Media Studies, author of 'Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria' (Oxford UP, 2021)
Scott Krzych on plasticity, psychoanalysis and an epigenesis of desire in The Big Short (McKay, 2015) F-P 28.3 Catherine Malabou, Plasticity and Film Special Issue #filmphilosophy#plasticity https://t.co/Ri1IzQtV6O
@libankerDC Pre-code options: A Corner in Wheat (1909), Skyscraper Souls (1932), The Match King (1932), American Madness (1932). I also like Hell or High Water and Uncut Gems on the structure of derivatives, even if the narratives aren't explicitly about finance.