@aladeduntoye @onepiecepanel so he started w his back to the reader and turns to the right. slash starts with left hand at left hip and slashes up as he twists right
@MelonTeee it’s so endlessly frustrating! like the brilliant theming and geography and weird avant-garde nature of OP is just so overlooked by the majority who fixate on ~who punch hardest~
the lyrics at the end are "I shall love I shall love I shall love I shall I shall I shall love I shall I shall I shall shall shall shall shall shall shall shall love love love love love love love love love love love"
yes yes 10000x yes
painting becomes better when we dereify it. wonderful new textures are created thru this kind of dehistoricising (and wholly positive!) authorial negation
Changing racist painting titles is a GOOD thing. Art does not arrive to us untouched by the intervening centuries. By ignoring that context, we are actively supporting racism that was attached to these works much later than they were created: https://t.co/5fIfmIY11v
"We are all here because of the art."
Please support and follow☞ @teatrolafenice
Antonino or Antonio Leto (June 14, 1844, Monreale, Sicily – May 31, 1913, Capri) was an Italian painter, painting mainly genre/landscape subjects in an impressionistic style.
♡"Venetian Canal"♡
brenna murphy, daytime-corridor module (2015). insular, infinite, suggestive of new (online) resolutions possible today: u will become lost, zooming in, & what’s there to stop u??
poison girl friend, 'nobody' (1993). you can sit here, unsettled, within this infinite soundspace: & by the end, i think, someone comfortable will have joined you...
https://t.co/G2WVOLK5g6
hiroshi yoshimura's 'silence' (1987). sparks, from the grinding of the arrangement-artifice against the (entirely organic, gorgeous) composition, scatter: and afterwards ...??
https://t.co/D7t7LvSZ61 via @YouTube