Southbound Review

Southbound Review is a weekly from India - A Living Tamil Organization, run globally by youngsters across countries. Literature, Arts, Culture, Film, Research..

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| This is probably the first time Kalpatta has held a position of this kind. One thing is worth remembering: although he is undoubtedly one of the finest prose writers in Malayalam, he received the Kerala Sahitya Akademi Award only in 2024... (Article link below)

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"Ninasam is perhaps the most unique and earnest attempt in South India to preserve and sustain traditional art while bringing it into conversation with modern forms of art. It was an inspiration to M. T. Vasudevan Nair....."

Column | Issue 1 | Southbound Review

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With the Help of a Blade of a Grass...

A poem by DevaDevan,

Co-Translated from the Tamil by Venu Vetrayan and Chaidhanya Jeyamohan

Southbound Review | Issue 1

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Jeyamohan's short story - The Palm-Leaf Cross from the Stories of the True collection

Translated by @priyamvada_ram

Published by @juggernautbooks

https://t.co/zzHl4UqyRq

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| "I am always a Freudian and always a Marxian. Marx was fond of Freud. Marx was greatly fond of Shakespeare. Marx was also fond of Beethoven. Not many people know all this."

- Indra Parthsarthy @Eeepaa

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On Southbound Review

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An excellent era for an writer to Die | This week's column | Southbound Review

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@imrajmohan

Design: @artmytake

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| Rajmohan’s response, in this “historical and sociological” background, is something quite peculiar. A minister knew and read a writer in Tamil Nadu—finally, it happened. I don’t believe it has anything to do with El Niño, as somebody says... (Link in bio)

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You see, I need a country to both love and hate. That’s India for me.

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The first profile interview of Southbound Review, Writer Indra Parthasarty @Eeepaa

Interviewed by @Danya_R03 , Edited by @artisuch

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@Eeepaa @Danya_R03 @artisuch In 1992 I went to America for the first time. Then when my wife passed away, I went back there to live with my children.

But they are not my lands. I have no personal connect with those places. I need to have a personal equation with a country. That’s why I came back to India.

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Rajmohan’s response, in this “historical and sociological” background, is something quite peculiar. A minister knew and read a writer in Tamil Nadu—finally, it happened. I don’t believe it has anything to do with El Niño, as somebody says.

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It is quite natural among the rationalists of Tamil Nadu; after all, isn’t it what devotees do when they go to a temple?

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But the old mindset and ritual still continue among writers. When A. R. Venkatachalapathy won the Sahitya Akademi Award, he requested an appointment and visited Mr. M. K. Stalin in his office, draped a shawl over the Chief Minister, and sought his blessings.

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People outside Tamil Nadu cannot understand this emotion. In Tamil Nadu, literary writers are generally unknown people, even to their wives.

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Southbound Review — Issue 1 is out

A weekly of literature, art & culture, film.

PROFILE
• ‘I Need a Country to Love and Hate’ — Indira Parthasarathy (Eeepaa)

EDITOR'S NOTE
• Southbound Review: Carrying the Little-Magazine Tradition of Modern Tamil Literature to the World

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A new issue every Sunday at 6 a.m. IST.
Subscribe to The Southbound Letter on the site.

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