Transforming an LED stage into a backdrop for a night-time driving film requires putting a creative and logistical vision in sync, a strong data pipeline, realistic lighting cues to match a real world environment and a supreme attention to detail. And the results can be rewarding. Here’s the full length look at how we did precisely this on @RLJEfilms Sympathy for the Devil #cinematography #Filmmaking
Nicolas Cage “leaves” Las Vegas in a big way in “Sympathy for the Devil,” thanks to ICG Director of Photography @StevenHolleran and his facility with the LED Volume (on an indie budget, no less!). #SympathyfortheDevil#UnionMade#1u@iatse@icglocal600
https://t.co/8O9jinfSIE
We chat with #SympathyfortheDevil cinematographer @StevenHolleran about the Nicolas Cage thriller, his noir influences, thematic color schemes, and LED Volumes: https://t.co/nj9E3rIfzY
We’re talking cutting edge tech, burning down movie sets, broken bones and other things from Sin City with @movieweb #sympathyforthedevilmovie#niccage https://t.co/ZC0jcjfLa4
Who's ready to find out if Nic Cage is going to be 💯 % sex? Only way to know is this Saturday night at the world premiere of SYMPATHY FOR THE DEVIL! @FantasiaFest@RLJEfilms
😈 The man, the myth, the legend...
Nicolas. Freaking. Cage. Need we say more?
You don’t want to miss the World Premiere of SYMPATHY FOR THE DEVIL on July 22nd at #Fantasia2023, hosted by director Yuval Adler and producer @Allan_Ungar!
➡️ https://t.co/DPgxyodIND
To shoot the masterful screen thriller MISSING, cinematographer @StevenHolleran did something he'd never done before:
Handed cameras off to actors.
Here he explains how he was able to be hands-off and hands-on at the same time.
https://t.co/s4WUR2ojoH
“It’s rare that a mystery movie feels new. Movies have mined the mystery genre for nearly all it’s worth over the years. Which is why it’s so nice when something like Missing comes along and shakes up the formula a little bit.”
https://t.co/pZi4Q9p1JA
Turning Up the Volume on Sympathy for the Devil
Cinematographer Steven Holleran and director Yuval Adler use plate photography and an LED-wall stage to help present a nefarious night on the road.
https://t.co/zNIjFbkYN6