We teach, we code & connect sound, visuals, gestures & data // Ableton Certified Training Center // founded by @julienbayle // #maxmsp#abletonlive#maxforlive
ofxAbletonLinkAudio — new from Structure Void.
Ship audio between openFrameworks, Ableton Live 12.4, TouchDesigner, Max/MSP, VCV Rack.
No driver. No Jack. No Blackhole. Just network.
Sample-accurate. Lock-free. Auto-reconnect. MIT.
Live 12.4 drops May 5. Stay tuned — TouchDesigner, Max & VCV connectors are done and shipping soon.
https://t.co/6EHQuxf7vK
#ableton
@Ableton@openframeworks
By the way — we’ve released VOID Shared Memory, a research-driven toolset connecting Ableton Live / Max for Live and TouchDesigner via ultra-low latency shared memory (no MIDI, no OSC, no network).
https://t.co/Am0XylS1Lg
@1null1@Ableton#maxmsp#touchdesigner
Certified by @Ableton and @cycling74 as a certified trainer. I wrote The Art of Max for Live as the deep guide to dive into Max, craft instruments, FX & interfaces, master LOM & JS, and transform Live into a living sound laboratory. #maxforlive
https://t.co/Fn73R4waaZ
@leanpub
#maxmsp objects network visualization
https://t.co/5WilUcSy8i
With @structurevoid0 , I did this.
This project is an interactive 3D visualizer that invites you to explore the universe of Max through its objects and the connections that link them. Each point represents an object from the Max environment; the lines indicate their functional proximity, as specified in the documentation by the well-known “See Also” references. The user can move freely through this space: zoom, rotate, navigate, and click on an object to reveal its neighbors at various depths. An information panel and a legend provide context and details about the selected object. Different view modes (Detail, Hybrid, Structure, Auto) offer varied perspectives on the network. A search engine makes it easy to quickly locate a specific object, while tag filters and color settings allow on-the-fly display adjustments. Designed for smooth, intuitive navigation, the visualizer works equally well on mobile and desktop, making the exploration of the Max ecosystem both immersive and engaging.
We want to dedicate this work to @darwingrosse . It is related to my work: project Max MSP Cloud Structure available on his website. Darwin’s work around Max, especially, still helps, inspires and spread. One amongst many example sits in his eternal podcast : Art + Music + Technology
@cycling74
Structure Void est certifié par @Ableton comme Ableton Certified Training Center
Avec @julienbayle, certifié à la fois sur Max Certified Trainer + Ableton Certified Trainer, nous devenons le premier centre certifié dans le grand sud-est, et à #Marseille
https://t.co/wvyPFST4ws
Don't miss David Zicarelli, developer, CEO of Cycling74 and Max creator, on @cycling74 's #discord tomorrow 1pm pacific time (10pm French time!) :
https://t.co/6ecfzHdPoD
2pm Pacific Time @cycling74 will be talking with Isabel Kaspriskie about ABL - bringing Ableton's DSP code over to the new abl~ objects in #Max9
https://t.co/CVgMLf7YxI
@ableton#maxmsp
Small example about how to automatically create ALL live.dial related to ALL parameters of abl.* series of objects (Ableton DSPs + devices) ... using V8
#Max9#Maxmsp@cycling74#AFDAS
@littlescale no, I meant the mc.sig~ to the mc.*~
you are banging JS to send to the mc.sig~. so you are going from event thread to audio one, without smoothing. mc.rampsmooth~ could be used after the mc.sig~. Because you have an envelope (live.adsr) it can hide clicks, but some can be heard