@PhoenixBlackNow Absolutely. I say this as a screenwriting teacher and a comedy writer. Being funny on the spot is hard to learn. But being funny on the page, where you can look for the punchline and plan it and then execute it? It’s 100% learnable. (If you want to learn it, I can teach you.)
@sipiwenyc Lawd indeed. They also think I didn’t include enough backstory. Which would be true if the show didn’t already have two produced seasons full of backstory 🙄🫠
I just got my @austinfilmfest Reader Notes. Despite the fact that I submitted in the SPEC SCRIPT category, the reader evaluated my script as if I'd written a pilot, and was assigned to my script even though they'd never even so much as heard of #Girls5eva, let alone *watched it*.
@LisaLueyLutes My @austinfilmfest reader thought my spec (submitted in the ✨spec category✨) was a pilot. Said it could make a great animated series some day, but was lacking backstory. Never mind that it’s already got two seasons and an Emmy nom. 😂🙄🫠
...Also, this was a complimentary resubmission I received after last year's reader gave me notes on characters that didn't exist in my script. Major, major fail. Shame on you, @austinfilmfest. Your entrants deserve better.
I love the idea of an on-call Building Matron whose entire job is to advise menstruating women about what to do when the tampon dispenser is empty. She doesn’t bring them tampons. Just a hug.
Lololol. 3hrs after sending this tweet I got my “new” notes from @austinfilmfest. They are just my old notes but with references to “Elijah” (a character who doesn’t exist in my script) taken out. 🤣🤣🤣🤣