Tall, slender arches in flat desert light - almost no atmospheric haze, so every edge is doing structural and compositional work at once.
El Gouna Concert Hall, Egypt. Architecture: Studio Seilern Architects. Our work: CGI stills and design-supporting visuals.
#archviz
Building a wet rainforest is a different problem from building a forest.
Everything is damp, no colour is saturated, and light arrives filtered through several layers. Too crisp and it stops reading as Yakushima.
The Horizon, competition entry 🇯🇵
#archviz#3d
Sky Jade, 24 storeys in Taichung, faces Tunghai University's forested campus.
Most work went into the landscape, not the tower. A vast canopy that has to read as depth, not wallpaper.
Arch: Joyce Yang Architects. Our work: CGI stills.
#archviz#architecture
Night exteriors on a passive-house scheme are a lighting problem disguised as a mood problem.
Triple glazing changes how much interior light escapes, which changes how "occupied" the street reads.
Plai de Lac. Client: Kasper Development. Architecture: Inginerie Creativa.
Aletta Heights, Amsterdam. Rooftop gardens doing structural work, not decorative work.
https://t.co/cwyg4Wc1qo
Project: Aletta Heights, Amsterdam. Client: SEALD. Architecture: Oz Architect. Our work: CGI stills, film and commercial floorplans.
Masterplan-scale scenes break the usual rules. Scatter that looks fine at 4K falls apart at 10K, and crowd density that reads as "busy" at street level reads as "empty" from the air.
Phase 1 of The Point, at final resolution.
Client/Design: Arcadis. CGI stills & film.
ABDUCTION
A tall, dark and handsome space which could have become the next selfie material somewhere in Vanak, Tehran, an #atrium generating a mysterious pulling force around which many temptations unfold.
An image created for Hadi Teherani Architects.
#panoptikon#archviz#3d