Spotlighting underrated gems, overlooked bands, and rising stars in metalcore/deathcore. Follow for hot takes, upcoming bands to watch, and fresh perspectives.
@Beans05718106@OsmosisAAA They’re absolutely amazing. Really my discovery of this year and I can’t wait to heart their future stuff. I hope they’ll work with Randy Leboeuf at some point.
@Liz_core_x If Matteo Gelsomino did not leave novelists, he would be there.
Mike sugars should be there for his range (Church Tongue, Psycho-frame, ex-Vatican).
Hey @MolotovSolution — I ordered the Void vinyl a while back and was just wondering if there are any updates on when it might start shipping? The EP’s been out for a bit but I haven’t seen any vinyl news yet (not even on Discogs). Super excited to spin it, just curious on the timeline. Much respect!
When I listen to Empty Black and this bright and beautiful world, I can’t help but notice that they are mixed very differently. It’s particularly noticeable in the bass frequencies and on the kick. Empty black really hits you in the face. The kick is explosive. and TBABW is more “balanced”. Is that a choice that they made or is it a choice of production from Will Putney? And why did they change the direction there? For now, it sounds like “keep it quiet��� will be kind of in the middle. Is that a fair assessment?
Other question: Do we get more pure heavy chaos like at the end of “Ten dogs - Red Heaven” on keep it quiet?