@josephreeder Hi, I'm currently enjoying Final Fantasy I on GBA, thank you for the work you did. Can I ask how you managed to make the Dwarves Scottish so accurately? It may be the best depiction of Scots/Scottish from non-Scottish media I've seen.
@MickWest I assume the original article supercedes the press release. Are you willing to post a retraction in the interest of evidence instead of speculation?
@beardmeatsfood Hi Beard, about 7 years ago, long before I knew you had a YouTube channel, I think I saw you on a late night Channel 5 show called "Secrets of the Buffet" or something, but it's not on your IMDB profile. Can you confirm?
@RealMickFoley Hi Mr Foley, my friends just presented me with a Cameo from you and I wanted to thank you for putting so much effort in. Watching it together with my friends and partner was a lovely moment and made a great birthday memory. Thanks for everything! ❤️
@TheJimCornette Can every Drive-Thru consist of updates on the wildlife and landscaping of Castle Cornette from now on please? Baby deer is what I need.
@AustinCreedWins Hi Mr Woods, tonight I learned you have a degree in philosophy. What sticks with you most from those days? For me, it was analyzing arguments and dualism. Good luck getting the RAW tag team titles back, I'm rooting for you!
@GreatBrianLast Did you secretly sing the 'James E' intro for the Experience? I thought JW's voice sounded kind of like you, and now I can't unhear it.
@WayForward Just finished Shantae and the Pirate's Curse, enjoyed it a lot, thanks. I remember Scurge: Hive on DS being something to do with WayForward, but Wikipedia says no - yet Jake Kaufman did the music? Is this a coincidence or did WayForward have some involvement?
@Sideways440 Oh man, I've heard that Andalusian cadence so many times in popular music. I had no idea it had been used for so long! The Piaf example is at about 0:47. Anyway, I love your videos, keep up the good work!
@Sideways440 Second line of chorus for L'Accordeoniste by Edith Piaf, second part of verse for Beauty and the Beast ("Soup du jour...") Often paired with a figure that descends a semitone, then a tone, then back up a tone (or semitone as in Complainte de la Butte by Rufus Wainwright)
@Sideways440 Thank you for talking about Aaron Copland, I always wondered where THAT American sound came from! Any thoughts on why a descending chromatic root note makes music sound "French" (Be Our Guest, Complainte de la Butte, L'Accordeoniste)?