New in Paperback: Twenty-First-Century Readings of E. M. Forster's 'Maurice' edited by Emma Sutton and Tsung-Han Tsai (@thtsai16) is the first book focused on Forster’s posthumously published novel Maurice and its legacies. https://t.co/3wI1GbqkBB
Delighted to share this podcast by @papers_on in which Emma Sutton and @thtsai16 discuss their co-edited volume Twenty-First-Century Readings of E.M. Forster’s Maurice: https://t.co/BPlfLIIyGD
@JHDScourfield@19acres About this will to connect and how music is related to this, both David Deutch's article 'Reconnecting Music to Howards End' and @foucaultscat 's 'Music in E. M. Forster’s A Room with a View and Howards End' have offered incisive observations.
@JHDScourfield@19acres There’s some great work on Wagner in Howards End — see Peter Firchow and Michelle Fillion, both commenting beautifully on the symbol of the rainbow bridge and Forster's ideal of 'only connect'.
@musicologygeek @EmilyAnsari Thank you so much for sharing all these fascinating suggestions. I'm developing a project on music and autobiografiction in the early twentieth century and it would be lovely to swap notes!
E. M. Forster and Music demonstrates how music provided Forster with a means of reflecting on race and epistemology, material culture and colonialism, literary heritage and national character, hero-worship and war, and gender and professionalism.