there is so much malice in media it makes you want to never look at a pixel again. luckily true artists are everywhere... hated, obscured, disrespected, but everywhere...
@JoshDenny@TonyHinchcliffe@Shanemgillis josh denny desperately reheating the coldest of 2018 era takes, hoping, hoping, praying, to get likes. pathetic. depressing. sickening!
@levfercomedy Lev everyone was just joking around pal. you can delete this cringe and strangely illiterate post. nobodys mad except you, who isn't involved at all
@jrmamana@fender_belly hey man just letting you and your posts suck. you seem like a dumb gay asshole so i dont wanna go too hard but please just clean it up
“My problem is that Super Mario Galaxy seems to be under the impression that more characters equals a better movie and…
“…oh be serious, Roger…”
“I’m quite serious! I didn’t know or care about any of these guys!”
“Don’t tell me you didn’t like Mouser!”
“Well, he’s okay.”
George R.R. Martin on the brilliance of The Lord of the Rings:
"As I read Return of the King, I didn’t want it to be over. That last book blew my mind, particularly the scouring of the Shire. I didn’t like that when I was in high school. The story’s over, and they destroyed the ring — but he didn’t write 'and now they lived happily ever after.' Instead, they went home and home was all [expletive] up. The evil guys had burned down some of the woods; a fascist-like tyranny had taken over. That seemed anticlimactic to me. Frodo didn’t live happily ever after or marry a nice girl hobbit. He was permanently wounded; he was damaged. As a 13 year old, I couldn’t grasp that. Now, every time I re-read The Lord of the Rings — which I do, every few years — I appreciate the brilliance of the scouring of the Shire. That’s part of what lifts the book from all its imitators. There was a real cost to Tolkien’s world. There’s a tremendous sadness at the end of Lord of the Rings, and it has a power. I think that’s partly why people are still reading and re-reading these books."
Was it a mistake to not include the scouring in Peter Jackson's films?