I was asked this year to present a story about the development of @matnsaz at the design conference @typodiversity. Was honored to share research on the history of Urdu typography, and how we can build a new keyboards for Arabic Script. On YouTube now:
https://t.co/eWXddxV9c4
He has been teaching historic and contemporary printing technologies in the Department of Typography & Graphic Communication since 2016.
https://t.co/6lumtUgM6E
Geoff Wyeth will speak @typodiversity on Nov. 3 & 4. Geoff joined the University of Reading in 1992 from the commercial printing industry with a background in print production and management.
an MA in Typeface Des. program at the University of Reading in 2023. He specialised in Arabic typeface design with Chinese & Latin typeface design skills, his research focuses on the modified Arabic script used by Turkic language speakers in Central Asia.
https://t.co/6lumtUgM6E
Huati Wulan, aka Kwat @HuatiWulan_kwat, will speak @typodiversity on Nov. 3 & 4. Kwat is a typeface designer from Altay, China. He graduated with a BA in Visual Communication Design at the Central Academy of Fine Arts in Beijing in 2021, and
including the Grand Prize and the First Prize for Arabic Text Typeface in the Granshan Type Design Competition, two Awards for Excellence in Type Design from the Type Directors Club, and the Symposia Iranica Prize for the best paper in Art History.
https://t.co/6lumtUgM6E
Borna Izadpanah @BornaIz will speak @typodiversity on Nov. 3 & 4. Borna is a Lecturer in Typography at the University of Reading, from where he was also awarded a PhD, and an MA in Typeface Design.
His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design,
Different processes and materials will be discussed at each stage, especially those used in the nineteenth century and various regions. Participants will be able to closely observe these processes and use drawing materials to make an impression on the lithographic stone.
Printing with lithographic stones:
This workshop is a three-process demonstration from preparing/grinding the lithographic stone, producing and establishing text and image using transfer paper or directly onto the stone, and finally, printing from the processed stone.
Join @cbcp_UniRdg, @UniRdg_Typo and @typodiversity for an event series with talks and workshops on research and practice in typography and type design.✍️
The first event will explore the world of Arabic script on 3 and 4 November. Find out more 👇
https://t.co/DjXHC38T6K
Nisrine Sarkis will speak @typodiversity on Nov. 3 & 4. Nisrine is a graphic designer with 15 years of experience in branding and a Typography instructor at the Lebanese American University. She is a letterer & a type design enthusiast with a strong passion for the Arabic script.
و خطوط طباعية للشرق الأوسط. أثناء إقامتها في الهند، تواصلت مرة أخرى مع البعد الروحاني للخط العربي. وهي حاليًا محاضرة في الجامعة الأمريكية في بيروت حيث تقوم بتدريس التصميم الجرافيكي والتيبوغرافيا.
Greta Khoury will speak at Typodiversity on November 3 and 4. Greta is a graphic designer who has been living between Beirut, London and India. She is currently a lecturer at the American University of Beirut teaching graphic design and typography.
غريتا خوري مصممة جرافيكية تنقلت بين بيروت ولندن والهند. بعد أن أنهت دراستها في الجامعة الأمريكية في بيروت، انضمت إلى دار "المحترف" للتصميم حيث اكتشفت عالم الخطوط الطباعية. ثم بعد متابعة بحثها في لندن، تعاونت مع عدد من الشركات البريطانية في تصميم الهويات البصرية