We've been getting a lot of questions lately about how the Internet Archive digitizes books.
The short answer: page by page, by hand.
You may remember our viral 2021 video of Eliza Zhang scanning a book. That's still how we do it.
Meet Eliza, and learn how we scan books: https://t.co/gt9s5lbPE4
I always loved how she tends to render high-profile women in such glamorous manner with emphasis on their clothing, unlike other courtroom illustrators. Finding out she started off as a fashion illustrator just put two and two together.
Imposible no caer rendido ante el desbordante y barroquista trabajo de fotografía de Slocombe en THE SERVANT (Losey, 1963), un prodigio de planificación coreográfica y distorsiones ópticas que acentúa las desiguales relaciones de poder entre sus protagonistas.
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So y’all are telling me Angela Bassett played Rosa Parks, Coretta Scott King, Tina Turner, Betty Shabazz, Stella got her groove back, burned her cheating husband’s clothes, became the mother of Wakanda’s king… and Hollywood STILL gave her no Oscar? 😭
Camp Miasma hits wider release today! In celebration me & Brandon put together a more detailed look at our glass matte shot from the film. So many incredible people helped make this movie, and we're happy as hell it's finally out in the world.
See you at the movies! 1/🧵
Grounding it in our reality like “This is pretty goofy, right? And also, you all liked ‘Ragnarok’, right?” feels less like they’re having fun with it and more like they’re already embarrassed by this.
At this point, the "you're all luddites" retort is just lazy. Perhaps consider instead that it's possible to both feel empowered by your new toy and accept that others genuinely feel empowered without it. Creativity is a process, not a prompt - that isn't fear, it's the point.
i have so many thoughts on this type of response to ai in art:
- i think this reaction comes primarily from a place of fear. ai is alien tech. it abstracts a lot of the process. it may replace some of the aspects of creation you enjoy or find meaningful. i empathize, but this makes it no less 'real'
- bc there is already an anti-ai wave of sentiment, art influencers risk their livelihood by speaking in favor of it. incentives incentives
- (at least for now) ai is just a tool. like the above, the inputs & outputs have more degrees of separation, but it's still a tool requiring vision, direction, and iteration
- ai is not an 'all or nothing' thing. it doesn't have to wholesale replace the medium or art form. like cgi or blender - it's a flexible, albeit different, tool
- i often hear back-to-back that "anyone can do it" and "it'll never be better than 'real' art" but these are at odds. can't anyone use a camera? and can someone we deem a 'real' artist use it and make art?
- 'real' filmmakers — like aronofsky, cameron, scorsese, and soderbergh — are already exploring or using it. what then?
- adoption is the ultimate tell - and we're early - but i do think this argument will unfortunately be on the wrong side of history in the same way every tool that generated value for the art form was adopted
This section in the wonderful Mike Sacks interview with John Swartzwelder is the most revelatory thing I've ever read about the writing process. https://t.co/00SiHQzKvU
It's well-known that Will Smith turned down The Matrix to star in Wild Wild West but I have a crank theory, supported by nothing, that it's because they wouldn't let him release a Matrix rap single
For Toy Story's green army men, the animators physically nailed shoes to a piece of plywood and hopped around the office to understand how the characters should move.
So cool.