Donald Trump, famous for his fondness of hamburgers, fried chicken and other American comfort foods -- has bought $5m in Kura Sushi USA stock.
https://t.co/O7ZoXnMffS
This is Lazarus
They just stole $1.46 billion from Bybit
And they didn’t break the code — they broke the people
Here’s untold story of how they did it (and why no one is truly safe) 👇
🚨 A New Era: #Gateio 🤝 @redbullracing
https://t.co/l3EgEtlXh7 has officially partnered with Oracle Red Bull Racing as its exclusive crypto exchange partner! 🏎️💨
Together, we’ll ignite the upcoming season with #Web3 tech, bringing speed and passion to the digital era!
Learn more: https://t.co/sqwhQ8krpn
#RedBullRacing
THE DARK MODE SHIFT
I've written about the 'return of opulence,' but after watching the past few months unfold and reading Sean Monahan's (@8ghtb4ll) The Boom Boom Aesthetic, it feels more like a shift from 'light mode' to 'dark mode.'
For the last 15 years, there’s been a cultural push to project positivity - "light mode," where the world wore a clean, hopeful facade. Like in a sci-fi movie where pristine white environments mask an insidious truth, this era was defined by pizza parties and mental health seminars trying (and failing) to hold together a crumbling social contract.
Now, in this 'mask-off' era, the vibe has shifted: you’re either a supervillain ruthlessly chasing the bag, a nihilist reveling in debauchery, or ngmi.
Monahan argues that we’re nostalgic for a past vision of modernity. I agree, but with one key distinction: in this postmodern world where everything is broken, we’re not longing for its virtues. Instead, we’re embracing the vices we once dismissed as anachronistic. If nothing matters, then everything - no matter how dark - is fair game.
Just yesterday, Prada’s Fall/Winter 2025 runway was one half chaotic Berlin nightclub and another half 20th-century ballroom. The perfect embodiment of the parallel trends at play.