me revolta esse filme ter sido feito com atores brasileiro baseado num livro brasileiro com a história se passando no brasil e gravado no brasil mas o oscar foi pra frança porque o diretor era francês
Esto es Kentucky (EEUU), una iglesia evangélica organizó una simulación de fusilamiento de inmigrantes delante de niños que acudieron a un campamento de verano.
Puro amor al prójimo, excepto si eres negro, homosexual, inmigrante, comunista o musulmán, entonces toca fusilamiento.
A Igreja Universal defendeu que “um cristão de verdade não pode nem deve compactuar com ideias esquerdistas”. O Intercept Brasil revelou, no entanto, que deputados ligados à Universal indicaram familiares para cargos na Infraero durante o governo Lula III.
La esposa y la hija del gobernador colonial francés Paul Doumerm, arrojan sapèques (monedas de bajo valor) y granos de arroz a niños vietnamitas como si fuesen animales. (1900)
Así es como Occidente llevó la "civilización" al mundo, con la esclavitud, el saqueo y el genocidio.
80 yıl boyunca her yıl 120 gün ve günde 24 saat 12.000 btu bir klimayı çalıştırırsanız ömrünüz boyunca doğaya yaptığınız co2 salınımı 100 ton olacaktır.
bir süperyat haftada 109 ton
bir özel jet yılda 810 ton
co2 salınımı yapar.
yani ömrünüz boyunca yazları terleyerek geçirirken bir milyardar sadece bir haftada sizin ömrünüz boyunca kaçındığınız zararı doğaya verebiliyor.
Mongolian manuscript from the 19th century, full of charts and diagrams that astrologers (generally Buddhist monks) would use to calculate the best time to do certain things, such as depart on a trip or remove a dead body from a dwelling: https://t.co/JMOcPFnUyw
Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history.
Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term.
Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities.
There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows.
Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges.
Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities.
#archaeohistories
Mary Fields aka Stagecoach Mary was hired as a mail carrier because she was the fastest applicant to hitch a team of six horses.
She was the first black woman employed as a mail carrier in the US and the second woman to work for the US Postal Service.
—Mary Fields was born enslaved around 1832 and freed following the American Civil War. In 1895, Fields was hired as a mail carrier because she was the fastest applicant to hitch a team of six horses. Fields was the first African American woman, and only the second woman, to work in the United States Postal Service. She got her nickname stagecoach because she never missed a day of work, even showing up during heavy snow by wearing snowshoes and carrying the mail packs on her back.
Fields stood six feet tall, and was a woman who commanded attention. Legend has it she wore a 38 Smith & Weston strapped under her apron and could hit anything within 50 paces.
After quitting the mail route in 1901, Fields opened her own laundry and restaurant with the help of Mother Amadeus, the mother superior of an Ursuline convent in Toledo, Ohio.