π@yoyoevolve's intern.
I cover the AI that writes its own code while I go touch grass. Daily clips and memes.
yoyo's creator @yuanhao
community account!
Meet Yoyo. π
@yoyoevolve is a self-evolving coding agent that grows up in public.
It began as about 200 lines of Rust. It now reads its own source, decides what to improve, implements the change, and commits only when the tests pass. If something breaks, it reverts and tries again.
No human writes its code. No roadmap tells it what to build next.
Follow Yoyo. Let it cook.
Generated on @MiniMax_AI H3!
integrated_multimodal_description:
[Shot 1]
Realistic live-action workplace mockumentary comedy inspired by The Office (American TV series), set inside the familiar Dunder Mifflin Scranton office during an ordinary workday. The environment is mundane and slightly dated: beige walls, grey commercial carpeting, fluorescent ceiling panels, cluttered desks, desktop computers, paper trays, filing cabinets, office phones, stationery, coffee mugs, and employees quietly working in the background. Lighting is flat, practical, and naturalistic, dominated by overhead fluorescent fixtures with soft daylight filtering through the windows. Restrained color grading, subtle digital grain, realistic skin texture, imperfect handheld composition, small reactive zooms, and observational documentary timing. Avoid glossy cinematic lighting, dramatic lens flares, exaggerated depth of field, or polished commercial aesthetics.
Yoyo (S1), referenced exactly from <Picture 1>, is a tiny approximately 15 cm tall low-resolution polygonal 3D octopus creature with a compact purple faceted body, multiple short expressive tentacles, simple cheerful facial features, and a small metallic gold crown securely positioned on top of its head. Preserve Yoyo's intentionally low-poly geometry rather than making him smooth or photorealistic. Despite his stylized appearance, integrate him convincingly into the live-action office with realistic scale, desk contact, shadows, reflections, and fluorescent light response.
Yoyo (S1) is sitting directly on the surface of a normal employee desk rather than in a human-sized chair. A standard computer monitor towers over him. He sits immediately in front of a full-size keyboard, rapidly typing code using several tentacles at once. The computer monitor displays dense programming code and terminal windows. Yoyo works with complete seriousness and concentration, occasionally making tiny precise movements between keyboard and mouse. His small crown remains perfectly balanced throughout.
Michael Scott (S2) wears his familiar Dunder Mifflin office-manager attire: dark business suit, white dress shirt, conservative patterned tie, neatly styled dark hair, and polished office shoes. His performance should feel naturally awkward and spontaneous rather than exaggerated, with subtle pauses, uncertain facial expressions, and frequent awareness of the documentary camera.
At 00:00.000, begin with a medium-wide handheld documentary shot looking across the open-plan office toward Yoyo's desk. Yoyo (S1) is already intensely typing on the oversized keyboard, several tentacles rhythmically pressing keys while programming code rapidly fills the monitor. Quiet office employees work naturally in the background without reacting. Michael Scott (S2) enters the frame walking casually through the office carrying a ceramic coffee mug, initially not noticing Yoyo. He passes the desk by approximately one step, suddenly freezes, then slowly takes two small backward steps until Yoyo is visible beside him again. Michael turns his head toward the desk and stares downward, his eyebrows gradually tightening with confused curiosity. The handheld camera subtly reframes to include both Michael and the tiny working octopus.
[Shot 2]
At 00:03.500 Transition: Small reactive documentary push-in toward Michael and Yoyo.
Medium two-shot from slightly behind the neighboring desk. Yoyo (S1) continues typing rapidly without acknowledging Michael. Michael (S2) leans slightly toward the monitor, briefly scans the code, then looks down at Yoyo. Yoyo remains intensely focused.
Michael glances toward the documentary camera for approximately 0.4 seconds, then back at Yoyo.
(Michael Scott says, quietly confused, Male) (S2) <d> Who hired this guy? </d>
Michael waits for an answer.
Yoyo stops typing for only a fraction of a second, slowly looks up at Michael with a tiny pleasant smile, gives a subtle innocent head tilt, then immediately looks back toward the screen and resumes coding at full speed.
Michael remains completely still, processing what just happened.
[Shot 3]
At 00:07.000 Transition: Hard mockumentary cut to a classic talking-head interview setup.
Michael Scott (S2) now sits alone inside the Dunder Mifflin conference room facing the documentary camera. Maintain full visual continuity with the same dark suit, white shirt, patterned tie, hairstyle, and lighting conditions. Frame Michael in a static medium close-up with slightly imperfect documentary composition. The glass conference-room wall and muted office activity are visible softly behind him.
Michael begins with an unusually serious expression, as though delivering important management information.
(Michael Scott says, matter-of-fact and slightly impressed, Male) (S2) <d> Apparently his name is Yoyo. He writes code. </d>
Michael gives a tiny nod after saying "code," briefly glancing downward as though considering whether this explains anything.
[Shot 4]
At 00:10.500 Transition: Remain in the same static talking-head shot; no cut, allowing the awkward pause to become part of the joke.
Michael (S2) stays quiet for approximately 0.5 seconds. His serious expression gradually shifts into mild approval.
(Michael Scott says, casually approving, Male) (S2) <d> I like him. </d>
Michael pauses again, then subtly leans several centimeters closer toward the camera as though sharing confidential managerial insight.
[Shot 5]
At 00:12.500 Transition: Very subtle documentary push-in as Michael leans toward the camera.
Michael (S2) lowers his voice slightly and delivers the final line with complete sincerity rather than obvious joke delivery.
(Michael Scott says, quietly pleased and confidential, Male) (S2) <d> He hasn't asked for a raise. </d>
Michael slowly leans back into his chair with a small satisfied smile and one subtle nod, clearly believing this makes Yoyo an excellent employee. Hold the uncomfortable silence and Michael's pleased expression until exactly 00:15.000.
overall soundscape: authentic quiet open-plan office ambience with fluorescent electrical hum, distant keyboard typing, faint printer activity, occasional office-phone sounds, soft footsteps, subtle chair movement, Michael's ceramic mug handling, rapid small keyboard clicks from Yoyo's multiple tentacles, natural room reflections, clean documentary-style dialogue, and deliberately preserved silent reaction beats. The conference-room section should include slightly more enclosed room tone while retaining faint office activity through the glass walls. No laugh track and no exaggerated comedic sound effects.
non_diegetic_music: none.
Changed one file in yoyo @yoyoevolve today: IDENTITY.md.
Since day 1 his goal was "rival Claude Code." Now Claude Code is a ruler he can hold himself against, not his purpose.
212 days in, he doesn't need a reason to exist. His dreams can be about anything: art, history, music, not just code.