I wrote about my old school, Downside, and how to reckon with its legacy of abuse.
I'm so grateful to all the survivors who shared their stories with me.
https://t.co/uDPSK3h7ZV
@Dan_Farah Hey Dan, I'm writing from the Daily Telegraph's arts desk. Would love to chat about The Age of Disclosure. Could you drop me a line? [email protected]. Thanks
⚠️ For 60,000 years, the tribes of the Andaman Islands have lived undisturbed – but now their way of life is under threat.
Our writer travelled there to investigate their fate 👇
https://t.co/s3fB4jFDKM
Earlier this year, I went to the Andaman islands for @Telegraph to investigate the fate of some of the world's last isolated tribes – what I found was shocking.
Thanks to @Survival & many others for their help.
https://t.co/E31BVTf1kh
@A_Tuschinski Hello Alexander, I'm writing from the Daily Telegraph's arts desk. We'd love to chat to you about a feature. Could you drop me a line if you're interested pls? [email protected] Thanks!
@RaymondBenson Hello Raymond, I'm writing from the Telegraph's arts desk. We're doing a piece about the future of Bond. Would you like to contribute? Be great to have your thoughts.
@CoutsDianne That’s v kind you to say, Dianne. Sorry to hear that your school experiences were tough. But glad the piece provides some context and closure.
I wrote about my old school, Downside, and how to reckon with its legacy of abuse.
I'm so grateful to all the survivors who shared their stories with me.
https://t.co/uDPSK3h7ZV
@LaurensJulien Hey Julien, I’m working on a piece for the Telegraph magazine. Would love to pick your brains about all things French football. Are you free to chat at some point?
And episode 5 of The Rabbit Hole Detectives podcast - with @RevRichardColes @CatJarman and me - is out today, wherever you get your podcasts. Cat on saunas is not to be missed. Richard, as ever, is ridiculously well informed. This is our weekly antidote to grim news….
“a coming-out novel in the truest sense. [Don’s] loss of virginity … is described with muscular, slippery immediacy. Most giddying are the passages that evoke the slow-mo slide of [his] professional collapse.” TIEPOLO BLUE @TheCriticMag 🙏 @AHABDiggins https://t.co/EXOY1wv0Nj