Michael Mike Madin

Academic Info: Film and Media Studies
The study of cinema in all its cultural forms, functions, and histories.

[Michael Mike Madin @AImusic0213]

Newish Book | Chronology of the Birth of Cinema 1833–1896- Combined Academic https://t.co/AaAznCbMOK

[Michael Mike Madin @AImusic0213]

@DrPopCultureUSA I actually ate those creepy crawlers when I was 8 or 9 although mine had a metal mold.

[JSTOR Daily @JSTOR_Daily]

Local TV stations viewed themselves as institutions serving a community that naturally centered on Los Angeles itself. https://t.co/eGjU94oEtM

[Michael Mike Madin @AImusic0213]

Fassbinder Himself (An Essay in Fragments) https://t.co/mZWYz0DLcg #Biography #Film #Filmcriticism via @mitpress

[Michael Mike Madin @AImusic0213]

Of War and Capitalism: The Debate About All Quiet on the Western Front Goes All the Way Back to the Book https://t.co/cKm7vih935 via @lithub

[Michael Mike Madin @AImusic0213]

New Book | The Rise of Central American Film in the Twenty-First Century https://t.co/Bjclq6rKLk #upf

[Michael Mike Madin @AImusic0213]

*Frankenstein* (1910) - Public Domain Review https://t.co/L0jmJdNrjf

[Michael Mike Madin @AImusic0213]

OA [October 2023] Political Moods: Film Melodrama and the Cold War in the Two Koreas https://t.co/X4TZk7WpkS

[afikra | عفكرة @afikra]

Cinema Odeon was located in Cairo’s old downtown theatre district. It was specialized in Russian and Italian films in the early 1950s. The center of the façade features finishes in both stucco and glass in an Art Moderne style.

📷: Cinema Odeon, Alexandria, 1960s

[Michael Mike Madin @AImusic0213]

How On the Waterfront Made Marlon Brando a Cinematic Icon https://t.co/Uw5dhrrChz via @lithub

[MNG - University Presses @MNGUP_Books]

The NEW QUEER CINEMA movement in film & video was intensely political & aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS

https://t.co/rlcm8uAGml
#BehindTheLens @DukePress @LGBTHM #LGBTplusHM

[Michael Mike Madin @AImusic0213]

New Book | Madness at the Movies: Understanding Mental Illness Through Film (James Charney, MD) https://t.co/W76CLC3DRx

[Michael Mike Madin @AImusic0213]

New Book | A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (Diana W. Anselmo) https://t.co/W94FlW0EyI

[Michael Mike Madin @AImusic0213]

How The Fresh Prince of Bel-Air Tackled the Topic of Black Fatherhood https://t.co/4wJwCUg8fC via @lithub

[Michael Mike Madin @AImusic0213]

Emily Disregards the Most Compelling Part of the Brontë Sisterhood https://t.co/Hh8FNe4uPw via @lithub

[LOC National Audio-Visual Conservation Center @LOC_AV]

Film legend Buster Keaton died #OnThisDay in 1966.

Immerse yourself (har har) in the making of one of his favorite of his own films, "The Navigator" (1924), on our blog!:

https://t.co/oMtEb746bW

[Michael Mike Madin @AImusic0213]

New Book | Black Panther: 21st Century Film Essentials | (Scott Bukatman | Combined Academic https://t.co/ULRqbBpKMs

[The Public Domain Review @PublicDomainRev]

One of the earliest uses of intertitles, the climax of Cecil Hepworth’s How It Feels to Be Run Over (1900) is followed by text flashing almost imperceptibly before our eyes: “?!!!? ! Oh! Mother will be pleased”.

The full 42 seconds of the film here: https://t.co/6AmMGX7gJI

[The Public Domain Review @PublicDomainRev]

Baron Munchausen’s Dream (1911) — Georges Méliès shows customary boundless imagination in this short film depicting the pleasures and terrors that plague the drunken baron: https://t.co/Y55bA3ya1X