Nobody is entitled to or deserving of ANYTHING- do what you love because you love, fuvk the results. Everything you’ll ever receive is a blessing either way. You were born blessed enough to be here and see this you coulda been anywhere in the world where ppl actually suffer
@Teller_Banks357@qnorapname_ These days need to come back fr.
Being one of the smaller homies in the crew made me not afraid to run a fair one with anyone fr. Win loose or draw. Put the gloves on. When it’s said and done dap up and keep it movin.
@Teller_Banks357 We got your catalog off Distrokid in time tho ngl 😂 but I think your streaming going up is inevitable. You gon be there to stay and play for the long game and still be able to do what you’ve been doing on Bandcamp.
@Teller_Banks357@GAGEmusicx@TIDAL It’s so many DTC platforms now. Idk if I’m totally against DSP taking down music that ain’t cleared samples.
This might bring back a new age blog era where people can releasing free mixtapes on SoundCloud and such. I’m down to go back to mediafire and zippyshare times 😂
ATTENTION PEOPLE TRYING TO REUPLOAD PROJECTS DELETED BY DISTROKID BUT CANT FIND THE ISRC CODES:
theres a thing called Distrokid Vault that stores the metadata of all your releases so you can find all relevant info even if they whiped it from your main dashboard ⬇️
@JohnRTyndall@sierracatalina It’s literally the same catalog as Apple etc. anything I can find on Spotify I’ve never not been able to find on Tidal. What can’t you find?
So let me get this straight.
If I buy a physical copy of a game at the store, I'll be able to install it on my Xbox and play without the disc. If it's play anywhere I can play it on my PC or ROG Xbox Ally.
If I'm traveling I can play it on the cloud on my laptop or phone. My game is available to me anywhere I go to enjoy AND when the kids want to play, I can just hand them the disc a decade from now.
Real talk, I don't see why I would buy my games anywhere else.
Seeing this a lot in sessions and mixing process.
Limited on how many big swings I can take.
A client will just go to the person who sends them back a slightly improved rough mix over someone who will try something that could potentially take the song to another level.
Engineering matters. Invest in good engineering. And when you find someone with whom you establish a relationship, and trust, don’t let them go. Hold them dear.
Just found an artist with 100M+ career streams who has never registered with a PRO. That means every performance royalty they’re owed has gone uncollected. Publishing income doesn’t get collected automatically! Skipping registration is a choice, with a cost.