Suzanne Chaundy

Suzanne directs operas, runs RDEAP for Melbourne Opera, and directs text-based theatre and outdoor entertainment. In 2021 she commenced her first Ring Cycle.

[Suzanne Chaundy @AtYourPeril]

Mahagonny has revised dates - September 21, 23 & 25. https://t.co/dncPEVY5Im

[Suzanne Chaundy @AtYourPeril]

#NewProfilePic

[Suzanne Chaundy @AtYourPeril]

@greghocking How can Theatre Network Australia be part of the funded Organisations?

[Suzanne Chaundy @AtYourPeril]

@AusCouncilArts What time will it be on website? Not there yet.

[OperaChaser @OperaChaser]

About to take flight again after 35 years to the day, Barry Conyngham’s Fly is about to get stage time again @Fortyfivedownstairs after 35 years. Very happy that Melbourne’s @LyricOperaMelb is bringing it back.

[Suzanne Chaundy @AtYourPeril]

@jacquidark @MelbourneOpera @SamuelSakker From Mother Superior to Priestess Inferior!!

[Suzanne Chaundy @AtYourPeril]

@greghocking There’s an idea ....

[Man in Chair @SimonManinChair]

Presenting their fourth Wagner opera in as many years, with The Flying Dutchman @MelbourneOpera again scales the heights in regard to production, cast and music. My review: https://t.co/l6BS8GEnI2

[Suzanne Chaundy @AtYourPeril]

@SimonManinChair @MelbourneOpera Thank you Simon

[OperaChaser @OperaChaser]

The local opera scene in Melbourne would be so undernourished without the hard work and talent @MelbourneOpera combine in bringing the art form to so many. They deserve recognition...and some government funding wouldn’t go astray.

[Suzanne Chaundy @AtYourPeril]

I didn’t know you were there Paul!! Thanks for coming. X

[OperaChaser @OperaChaser]

A preview of a new Aussie musical took fab form tonight. Under Suzanne Chaundy’s direction, The Dressmaker became a beautifully detailed story full of quirkiness, touches of poignancy, a variety of musical moods and a great cast. Until 26th Oct. @MonashUni’s Alexander Theatre.

[OperaChaser @OperaChaser]

Pretty-voiced Hester Van Vyver glammed the stage with poise and colour as the dressmaker Tilly. Sue Ingleton’s outrageous and uncouth Molly was a show stealer and Josh Gardiner impressed big time as Barney. Then again, there were many more names in Dungatar that did as well.

[Melbourne Opera @MelbourneOpera]

Ninety-four years young, the Herald Sun Aria is entering “a whole new era” as Melbourne Opera signs on as an official partner for the next five years!
Articles on pages 2 and 49 in today’s Herald Sun https://t.co/FjJKp0L8uZ

[LyricOperaMelbourne @LyricOperaMelb]

Congratulations to everyone who auditioned today! Great to be around the table with @MelbourneOpera @CitiOpera_au @emotionworks @BK_Opera @MoreThanOpera at @ChapelOffChapel Still a few spots available Friday afternoon!

[fortyfivedownstairs @fortyfive_ds]

Sorry folks, all remaining performances for #DESTROYED have #SoldOut

[fortyfivedownstairs @fortyfive_ds]

Sunday's performance of #DESTROYED has sold out and remaining shows are selling fast.

[Suzanne Chaundy @AtYourPeril]

https://t.co/0FVARFVOe4

[fortyfivedownstairs @fortyfive_ds]

The fabulous reviews for #DESTROYED are flooding in....tickets are selling fast!

[Suzanne Chaundy @AtYourPeril]

@LaMamaTheatre Thinking of you all. Anything I can do to help, let me know.

[Suzanne Chaundy @AtYourPeril]

On my way! https://t.co/LTxIoZt7ue

[fortyfivedownstairs @fortyfive_ds]

Suzanne Chaundy @AtYourPeril will be chatting to @richardthewatts on @3RRRFM this morning at 11am ahead of the opening night of #destroyed tonight.