Perestroika art did not simply epitomise a neo-romantic revival of avant-garde sensibility at the twilight of Soviet modernity; it subjected to aesthetic scrutiny the normative—rather than the negative—construction of sexuality.
https://t.co/Rmj9CB6VaU
@TuttReal Curiously enough, both Tutt and Dugin overlook modernity as a contradictory phenomenon, one that is forward-looking and backward-looking, progressive and barbarous, smacking of futurity and death.
It's a challenge to think out loud about the artist's oeuvre in becoming. I can only hope that I've captured, partially and open-endedly, the artist's truth and her method as they seem to be unfolding now.
https://t.co/4u7BrKfJRd