@rainisto How much can you preload your story with? If i many pdf:s with backstories and Worldbuilding that I want @BeatBanditAI to take into consideration, how much can i put in?
@chrisfirst@krea_ai Come to Papi Krea! Comsi comsi! Papi take good care of Krea now and for a long long time in a new galaxy very close by. We make great things again and again and again. 😎❤️🤖
THIS GUY BUILT REAL FLYING SWORD DRONES AND CONTROLS THEM WITH HAND GESTURES
fan shisan is a physics student in chengdu who coded and built flying drones shaped like actual swords
he controls them entirely with hand gestures. no controller or a phone. just his hands
wave your hand and the sword follows. point and it flies where you direct it. multiple swords in the air at the same time responding to different gestures
he built the gesture recognition system HIMSELF and coded the flight control algorithms. designed the drone hardware in the shape of swords.
the gesture tracking uses sensors that read the position and movement of his hands in real time and translate them into flight commands for each drone independently
he even built one large enough to ride on
a physics student with coding skills just brought something straight out of a kung fu movie into the real world
the line between science fiction and side projects is getting thinner every month
@aimikoda These are amazing. How you recommend making several different emotional grid performances to get all the different emotions or do you add something in the prompt to drive it towards a special emotion?
Making commercials and films with AI isn’t just exciting — it’s the future.
That said, the hardest part isn’t the technology, it’s finding people you genuinely love working with, and sharpening your storytelling skills. Those two things will never be replaced by “clicking buttons.”
The fundamentals that carry over from traditional filmmaking remain the same:
📕 Strong stories
🤝 Strong relationships
If you treat these as secondary, you’ll eventually feel stuck and frustrated.
But if you keep them front and center — valued, protected, and constantly nurtured — you’ll thrive in this new era.
I’m deeply grateful to Julien Vallée and Google for giving me the opportunity to be part of this project. Here’s to many more.
Director: Julien Vallée (@julienvallee)
Composer: Blackpaw
AI artists: Julien Vallée, Jordan Daniel Chesney
Motion design: Kyle Harter, David Urbinati
Flame artist: Mathieu Arvisais
VFX artists: Le Jumper, Empty Frame (Jeremie Drapeau & Francois Careau)
Designer: Kelsey Lim
Sound design: David Urbinati
Producer: McKenzie Hayes
Lead producer: Angela Long
Google Maps Brand Creative
Senior Brand Marketing Director: Max Kaplan
Group Creative Lead, Search & Maps: Daniel Chandler
A breakthrough in real-time video generation.
As a research preview developed with @NVIDIA and shared at @NVIDIAGTC this week, we trained a new real-time video model running on Vera Rubin. HD videos generate instantly, with time-to-first-frame under 100ms. Unlocking an entirely new creative paradigm and bolstering the foundations of our General World Model, GWM-1.
Real-time generation opens a fundamentally different design space for video models and world simulation. We're investing in co-designing our models alongside advances in hardware to keep pushing this frontier.