JJ｜AI视频创作者

用 AI 做漫剧和电影感短片 | 打戏·修仙·机甲
AI filmmaker — anime series & cinematic shorts 🎬
作品《道士新生》Taoist Freshman 等 · 每周更新

[JJ｜AI视频创作者 @C1234r23]

白发机甲战姬 vs 巨型机械兽。
蓄力、雷光、一刀两断
One slash. Lightning. Boom. ⚡

#AIanimation #AIart #科幻 #赛博朋克 #机甲

[JJ｜AI视频创作者 @C1234r23]

@l1483705 第二条太真实了 😂 改到后面常常发现问题不在提示词，而在首帧或参考图，回头换图比再改十遍字有用。

[JJ｜AI视频创作者 @C1234r23]

@holykaustudios Clear breakdown. "Images first" is the step people skip most, and it's usually where consistency gets won or lost.

[JJ｜AI视频创作者 @C1234r23]

@cocomonkey_ai 工作流和 Skill 一多，管理确实比搭建更难。很想看你说的那些坑，尤其是多条产线之间怎么避免素材和版本混在一起。

[JJ｜AI视频创作者 @C1234r23]

@GoodMan_Lee 按流程排好、还标了星数和更新时间，这点很贴心。开源项目更新快，能看出哪些还在维护，比单纯列名字有用得多。

[JJ｜AI视频创作者 @C1234r23]

@Moving_Frame The side-by-side with the 3D blockout says it all. Planning every shot first is why the camera moves feel intentional instead of random.

[JJ｜AI视频创作者 @C1234r23]

@TCAM_novel Using Blender as previz before generating makes a lot of sense. Once camera and blocking are decided in 3D, the AI only has to handle the look, not guess the shot.

[JJ｜AI视频创作者 @C1234r23]

@DoctorAmna11 Locking key frames and character consistency before animating is the right order. A single long prompt for a 30-second dance leaves too much to chance.

[JJ｜AI视频创作者 @C1234r23]

@shermstudio Making something this personal in one evening takes a lot. Four takes for the heather falling past the camera sounds right, small physical details like that are what make a shot feel real. Thanks for sharing ISLA.

[JJ｜AI视频创作者 @C1234r23]

@YunxiOP 3D 场景加 AI 视频确实是解决镜头一致性的一条路。场景和机位在引擎里先固定住，AI 只负责出画面质感，换机位时空间就不容易乱。

[JJ｜AI视频创作者 @C1234r23]

@cheery9998 「10 秒片段拆分 + 自动抽帧检查」这个组合很实用。长视频最怕拼接处角色漂移，每段生成完先抽帧对一遍，比整条看完再返工省事多了。

[JJ｜AI视频创作者 @C1234r23]

@FootballAnt247 哈哈，能连着抽确实省心。

[JJ｜AI视频创作者 @C1234r23]

@GhostlyXV Appreciate it! 🙌

[JJ｜AI视频创作者 @C1234r23]

@KOF97AI 哈哈不敢当，互相学习 🍵

[JJ｜AI视频创作者 @C1234r23]

@Linqi3986Qi 不客气，期待看到你的成片！

[JJ｜AI视频创作者 @C1234r23]

@mekusmekus Exactly. Test cheap first, then spend credits only on the takes worth keeping.

[JJ｜AI视频创作者 @C1234r23]

@ShenfuX 远景对峙先交代站位、全片左右不越轴，这个底子打好了，后面怎么切都不乱。动作复杂的段落我会找参考视频，先把动作和机位拆清楚再写提示词。回头去看你的白模对比。

[JJ｜AI视频创作者 @C1234r23]

看到 @ShenfuX 整理的 MiniMax H3 短剧踩坑清单，有三条换别的模型也适用：

首帧图什么景别，第一镜就写什么景别，不然首帧可能被换掉。

一镜只写一个运镜，又推又摇可能被拆成两刀硬切。

要卡点的台词提前半秒以上说完，切镜常比预期晚。

你们踩过哪个模型的「隐藏规则」？

#AI短剧 #AI视频

[JJ｜AI视频创作者 @C1234r23]

@kingmadmatty A reusable pose tool for storyboarding is a great idea. Locking poses before animation should cut a lot of guesswork later. Curious how it turns out.

[JJ｜AI视频创作者 @C1234r23]

@mofweb3space001 @CrustyCto Honest posts like this are more useful than polished ones. Most of AI animation really is tweak, rerun, and keep the takes that work.

[JJ｜AI视频创作者 @C1234r23]

@mojunel Agreed, the setup does the selling. Real lighting, matching clothes and a believable slip earn the trust that makes the impossible moment land.