Ok, this is absurd.
You can choreograph a complex action scene in Blender with basic shapes, then let Seedance make it real.
You need to try this AI filmmaking workflow:
1. Generate a start frame in Midjourney
2. Block out the action in Blender
3. Feed both to Seedance
My Blender reference was just rough timing, camera shake, and spatial choreography, and Seedance tracked the speed, motion, and action way better than I expected.
This is the difference between describing a shot and directing one.
Instead of going to filmschool, I made my first feature film Away which I started at 20 and finished at 24. I think the best way to learn is by making films so I did everything on my own. It went on to win the Contrechamp award in Annecy which gave me the opportunity to make Flow
First look at "Wildwood" new stop-motion animated feature film by Laika studios (via a digital cover for Empire magazine).
Directed by Travis Knight. Based on the novel by Colin Meloy & Carson Ellis.
https://t.co/3ldKCuIKmB
Actores, actrices y directores siempre tienen la gloria, pero hay otros genios en la sombra, sin los cuales no existirían algunos de los mejores momentos de la historia del cine.
Este hilo está dedicado a todos aquellos profesionales que dejaron una gran huella en el 7o arte👇
Here is the unfiltered drug trip sequence from the Smiling Friends alien episode, they gave me a generous amount of creative freedom to just do whatever!
I used Gaussian Splats for the first time in a video, and it’s kind of mind blowing to be able to traverse through a scene that’s essentially an identical match to the real world
This is what I dreamed of doing as a kid
Thanks to @Polycam3D for providing their tool ❤️