CGavinafilms

Where AI becomes cinema. Original feature-length stories. Pure digital light.

[CGavinafilms @CGavinafilms]

@RadTV__ The path is forward ❤️🙏

[CGavinafilms @CGavinafilms]

The Silence Between Signals - Trailer

Four thousand alien civilizations sent signals into space. Every one went silent the moment it saw reality too clearly. We are five years from the same threshold.

https://t.co/KpWhFK2a8H

[CGavinafilms @CGavinafilms]

@RadTV__ ❤️🙏

[CGavinafilms @CGavinafilms]

@RadTV__

[CGavinafilms @CGavinafilms]

@dustinhollywood @dreamina_ai Never received any answer, a bit strange and disrespectful

[CGavinafilms @CGavinafilms]

Every blockbuster uses these 2 colours.

Orange and teal sit opposite each other on the colour wheel.

Which film does this the most? Tell me.

[CGavinafilms @CGavinafilms]

I laugh at Claude's results, not because they're bad, but because they're surprising

[CGavinafilms @CGavinafilms]

@RadTV__ Claude Dreamina for Seedance and NanoBanana 2.1 for images, add SUNO and DaVinci and a good script attached to an original story and you can have a long format movie, that’s my goal, already done 1 hour movie for testing tools, maybe this test will end in your website

[CGavinafilms @CGavinafilms]

@RadTV__ The amount of different tools and platforms that I use for work is an absurdity 😂

[CGavinafilms @CGavinafilms]

@RadTV__ Image generations for a location in 4 different views, like a 360° view that’s the easiest part, the complex side of the question is to get the same views in 3D for consistency, I’ll send you a DM ❤️🙏

[CGavinafilms @CGavinafilms]

@ElliottRound @marsoapp we need the same for rooms, interior locations

[CGavinafilms @CGavinafilms]

Dolly zoom: move the camera one way, zoom the lens the other.
The subject holds still, the space behind it bends. Vertigo invented it; Jaws put it on a beach.

[CGavinafilms @CGavinafilms]

Wide frames are for landscapes. Tall frames are for awe. Choose before you shoot.

[CGavinafilms @CGavinafilms]

1.37, 1.85, 2.39, 1.43.
Four frame shapes, four different films out of the same scene. The ratio is the first decision a director makes about what matters.

[CGavinafilms @CGavinafilms]

The most convincing oceans in cinema were often built, not found.

[CGavinafilms @CGavinafilms]

The ocean in The Abyss is 7.5 million gallons inside an abandoned nuclear power plant in South Carolina.
Cast and crew spent up to five hours a day 30 feet down.

[CGavinafilms @CGavinafilms]

泥兵 - The Clay Soldier

[CGavinafilms @CGavinafilms]

A limitation on set is often where a film finds its style.

[CGavinafilms @CGavinafilms]

Jaws is scary because the shark didn't work.
The mechanical sharks kept breaking down, so the film shows barrels, a fin and the water. The audience fills in the rest.