Not enough time to write it all down, but as far as UI/UX in the space I am probably one of the most well researched out there. You can research Scenery, they tried this. I tested it in production, didn't really work to well. They did eventually get aquired by Adobe though, but the product was shelved.
@johnpollard@vanilagy In order. Adobe Premiere Pro, Da Vinci Resolve, FCP X, Cap Cut (Desktop).
All others are good in their own way, but the ones above you can also build upon those applications to start a career in editing.
Avid is an honorable mention but it's only for those editors in Hollywood.
'Made by developers...for no one'.
Just saying.
If they want to appeal to people who want to edit without learning editing at all...good luck.
Developers don't take vibecoding seriously from non-technical people for good reason. Us editors who've been in it for a while look at 'vibe-editing' in the same vain.
Brad Pitt returns as Cliff Booth, only this time it’s 1977 and it’s a very different Hollywood.
Directed by David Fincher from a screenplay by Quentin Tarantino, THE FURTHER MIS-ADVENTURES OF CLIFF BOOTH comes to IMAX November 25.
@vanilagy Great! I was using media bunny as a way to detect edit points in media from gen AI outputs. It’s a big quality of life micro feature so you can just adjust maybe 1 sub clip rather than rerun the entire thing.
@minhsmind Marketing and distribution is going to be difficult. I keep thinking about one of my favorite films, the Big Lebowski. It didn't really pop off until it hit DVD. I think it's going to be tough for lots of artists who use gen ai, because even if it is good it may not be seen.
As someone who’s worked in Hollywood since 2009 in post production, I think we should all embrace these tools. They are living storyboards. It’s way cheaper to figure out pacing and story now then spend $25m just to learn months later in the edit bay that you didn’t nail the story.