IMAX Frame

Not associated with IMAX Corporation; purely for non-profit entertainment

[Matt Reeves @mattreevesLA]

#FirstShot #TheBatmanPart2 CC:@E_Messerschmidt Here We Go…

[Culture Crave 🍿 @CultureCrave]

'The Odyssey' website shows you how the film looks in different aspect ratios 🎞

[ELDEN RING @ELDENRING]

The live-action movie adaptation of #ELDENRING, produced by the studio A24 in partnership with Bandai Namco and filmed for IMAX, is slated for release on March 3, 2028.
Production will begin in Spring 2026, and the full cast has been announced. Learn more: https://t.co/WyyyXMkiUF

[IMAX Frame @imaxframe]

@vsBCCI @xansonfilm @imPatrickT @flodyssey Part One was presented in 1.90:1 in addition to 1.43:1, hence the Filmed for IMAX tagline both sequels would end up using.

Part Two is the one that ended up mastering a 1.43 version using shots cropped in from 1.90 shots, even Part One did to a lesser extent

[IMAX Frame @imaxframe]

@xansonfilm @imPatrickT @flodyssey Both movies were Filmed for IMAX using digital cameras, namely the Alexa LF / Mini LF from ARRI

[Film Updates @FilmUpdates]

Denis Villeneuve and Linus Sandgren had anamorphic lensmaker Atlas Lens hand-craft a custom IMAX lens designed specifically for ‘DUNE: PART THREE.’

(https://t.co/2KPfry7g72)

[Adam Hlaváč @adamhlavac]

Greig Fraser used newly designed vertical-squeezed anamorphic lenses to achieve the 1.43:1 @IMAX ratio on the Arri Alexa 65 camera and its native 2.11 sensor, leading to vertical flares and unique bokeh in the image.

Source: @ARRIRental (https://t.co/r9DqOacFlm)

[IMAX Frame @imaxframe]

Dune - Ornithopter Tour

[IMAX Frame @imaxframe]

@GodzillaCheeze @livforszobo @InDepthCine 1.90 = always digital presentation via Xenon / dual Xenon OR 4K laser / 4K dual laser projection

1.43 = either film presentation via 15/70 projection OR digital presentation via 4K dual laser projection

[IMAX Frame @imaxframe]

1.90:1

[Rodney G Johnson @RodneyGJohnson]

Lamp change/transplant. IMAX 15k xenon lamp!

[IMAX Frame @imaxframe]

@fauxfilosopher @haibaneinsect Brad Bird on Ghost Protocol’s IMAX release:

https://t.co/fWPXWDxIEs

[IMAX Frame @imaxframe]

@fiendformojitos @digital_theater

https://t.co/JB6zugZts9

[IMAX Frame @imaxframe]

@livforszobo @InDepthCine

[IMAX Frame @imaxframe]

@jaylovesfilm Larger file here

[Mavericdrives @mavericdrives]

https://t.co/9WTr4PEnG4

[IMAX Frame @imaxframe]

@Eltranslator @flodyssey Got it from here

https://t.co/rNpLffUWaK

[IMAX Frame @imaxframe]

@jaylovesfilm https://t.co/5iTI07RDTA

[ak @xzscnx]

IMAX 15/65MM Film | 5/65MM Film | LF IMAX CERTIFIED DIGITAL

[IMAX Frame @imaxframe]

@whenbatmenfly @AxelTalksFilm https://t.co/7h5xg30JDj

[IMAX Frame @imaxframe]

@yojoono I failed to consider this

[IMAX Frame @imaxframe]

CORRECTION

Dune: Part Three was shot on a combination of 5-perf 65mm film, 15-perf 65mm, and digital for desert scenes, making it the second blockbuster since The Last Jedi (2017) to mix IMAX formats as well as the first Linus Sandgren-lensed film since 2015 to shoot digitally

[IMAX Frame @imaxframe]

Despite being shot entirely on film, including 15-perf 65mm which secured the film an exclusive 3-week IMAX run, Dune: Part Three will ostensibly be marketed as #FilmedforIMAX traditionally marked by the use of IMAX-certified digital cameras like its previous two installments