I can't even begin to describe how excited I am to share that I've developed an immersive 15K res (!!) experience for @artechouse and the SUBMERGE exhibition, starting tomorrow 1/9 and playing through March!
Fun fact, this cost $40K @rendernetwork credits to render, and I couldn't have done it without the incredible generosity and support from the team. There's no way my local machines could've ever met the deadline with these crazy specs, and I'm so stoked for everyone to experience my art in person!
If you're in NYC and you can attend, use the promo code IAMSUBMERGE to receive 25% off tickets, https://t.co/DsA6WrhDrX
Here's a low res preview of the experience for those who can't make it🧡💛🧡
And of course, gotta shout out the 🎧🧙♂️ @Abel_Okugawa for the beautiful score!!
@PounceLight huge one. love that. my kids have been having a blast with the game! so charming and fun. they’re going to love switching up their scenes!
After Effects Reactive Text Layer Effects - fun stuff with Text Animator Groups, Expressions & Mask Path.
Who wants the AEPs? :-)
A list of the Expressions -
Text Style
Ternary Operator
Linear Interpolation
RegEx https://t.co/8xMGGX2QM8
clamp
speed
repeat
Math.abs()
I made a replica of an early Space Shuttle coverall jacket. Started out as one of those space camp souvenir jackets, but I ended up replacing 70% of it. It wasn’t as accurate as I initially thought. Now it’s pretty spot on.
A few of the early pitch images done for The Creator. A lot of this was just me and Gareth messing with ideas in a room together very early on in the process. #thecreator#conceptart
If you live in France, the touching and contemplative "Drôles d'Oiseaux" (Funny Birds) animated TV special (34-min) by Charlie Belin is back online on France Televisions platform for a limited time (as part of the film's selection at César competition).
>> https://t.co/AAIX2IXpZl
This video was generated by Sora.
That's the new model by OpenAI. The most advanced text-to-video tool created so far.
I'll share the videos here. Absolutely insane.
Prompt: This close-up shot of a Victoria crowned pigeon showcases its striking blue plumage and red chest. Its crest is made of delicate, lacy feathers, while its eye is a striking red color. The bird’s head is tilted slightly to the side, giving the impression of it looking regal and majestic. The background is blurred, drawing attention to the bird’s striking appearance.
Darkest Dungeon II has been nominated for Best Art Direction in the 2023 @Indie_Pearls
Since we're nominated, we are also eligible for their Audience Award - you can vote for us here: https://t.co/ndKpIZ4YYA
Voting closes February 1st!
Satoshi Kon's storyboards for the mima chase scene in Perfect Blue
This is how he boarded the whole film exactly this way and it makes seem like he did key animation for a lot of scenes. a true master at storyboarding
Not much animation alters your mind like Son of the White Mare. This Hungarian classic reimagines a folk tale with amazing style—for 80 minutes.
Today, we tell the story of this 1981 gem, and discover why its director didn't call it a psychedelic film:
➡️https://t.co/6EpUltgNsx
@mexopolis@Oddernod I’ve had a few high school interns here and there… they ask me about school and colleges, majors and degrees etc. my reply has always been — I don’t care about your degree/diploma. I care is your work good, do I like working with you, and can you hit the deadlines we agree on.