MusicWorks

Inspiring residential chamber music courses for string players aged 14-18
led by some of the world's most imaginative and committed chamber music specialists.

[MusicWorks @MusicWorksInfo]

And everyone here missing your inspiring guidance through the treasures of early recorded history.

[MusicWorks @MusicWorksInfo]

Looking forward to the next epidemic! @MusicWorksInfo

[catherine manson @cmbdis]

"Music should be dangerously and magnificently contagious" (Alfred Cortot)

[MusicWorks @MusicWorksInfo]

Very much looking forward to having you join us and share with everyone the enchanted world of these recordings.

[MusicWorks @MusicWorksInfo]

All 168 parts are now sent out for the groups on the two summer courses. Now just can't wait to hear it all!

[catherine manson @cmbdis]

So proud of this Schoenberg op 7 recording. Incredible playing from @hana_bms @MaxCalver and @kolu_pov Wonderful producing from @jbjbjbjbjb https://t.co/mu5T9Dme4i

[Robin Michael @rozzamichael]

My latest video, an analysis of the so called ‘Tristan’ chord with help from Schumann, Fauré, Berg and a well known jazz standard!

Anatomy of a composer. The ‘Tristan’ chord. https://t.co/C5v0G3aDyn via @YouTube

[Nicholas Mulroy @nickmulroy]

How to use a melody. Chorale tune becomes the bass. Grief into hope. JSB.

[MusicWorks @MusicWorksInfo]

Please listen and figure out how to play like this again. https://t.co/ZYLYv0rAXZ

[MusicWorks @MusicWorksInfo]

@jbjbjbjbjb Exquisite recording of two songs from it https://t.co/kQ7HOJ5TZp

[MusicWorks @MusicWorksInfo]

Such an interesting documentary about Berg. https://t.co/Iiw7JnBNSy

[MusicWorks @MusicWorksInfo]

Stirling Council: Big Noise Raploch - Securing the future for aspiring young musicians. - Sign the ... https://t.co/Hwezgy4q5s via @UKChange

[MusicWorks @MusicWorksInfo]

Another gem for this wonderful archive. Quartets, strings, op.51. No.2/Brahms https://t.co/9WFFWoKtBB

[MusicWorks @MusicWorksInfo]

Love this story of Saint-Saens and Planté's duo recital in Paris https://t.co/gAUZp8iGEk

[MusicWorks @MusicWorksInfo]

He would linger not on one note alone, but on a whole idea, as if unable to tear himself away from its beauty. He would prefer to lengthen a bar or phrase rather than spoil it by making up the time into a metronomic bar.” 3/3

[MusicWorks @MusicWorksInfo]

The sign <>, as used by Brahms, often occurs when he wishes to express great sincerity and warmth, applied not only to tone, but to rhythm also. 2/3

[MusicWorks @MusicWorksInfo]

Fanny Davies (pianist and student of Clara Schumann):
“Like Beethoven, he [Brahms] was most particular that his marks of expression (always as few as possible) should be the means of conveying the inner musical meaning. 1/3

[MusicWorks @MusicWorksInfo]

Hairpins to live by! https://t.co/bwlLJfvUlf

[MusicWorks @MusicWorksInfo]

Since our new fb page is currently disabled, news and links will move here. Check out this ravishing Bartok 2 with the Amar 4tet from 1926 (Hindemith brothers on vla and vcl) https://t.co/Mcwt0AMnEi

[Barbican Piano Trio @barbicanpt]

#Schubert followed by glorious #Mendelssohn @MusicWorksInfo at his most passionate and personal