@sansbarrier தெக்க மறவர்களையும் வன்னியங்க என்று அழைப்பார்கள்.நாடார்களும் வன்னி என்று பெயரிடும் வழக்கம் உண்டு குலதெய்வமும் உண்டு. அப்புறம் ஒரு 150 வருஷம் முன்னாடிலாம் கிராமத்துல முருகர பிள்ளமார் கடவுளா பார்த்திருக்காங்க. நாராயணன் அவங்க வார்க்கையில கலந்த அளவு முருகன் அவங்களோட அப்போ கலக்கல
Bi Gan explains his filmmaking philosophy:
"For me, the combination of all the artistic expressions I have done in the past comprise the most essential components of my filmmaking endeavors. For example, the reason I love film is because in considering the composition of the frame, every single shot needs to be presented separately. What I find most interesting is what’s happening outside of that frame, and so I think about all the other artistic expressions I can use to somehow tease out what’s outside of that frame. Poetry, for example, instead of using conventional ways of presenting stories and essays, offers a very different way to think about structure. In essence, poetry is an art form designed to subvert the conventional writing of exposition and sentence structure, enabling you to find a different way to express what you’re trying to present. That is what I do when incorporating other disciplines into my filmmaking. The logic is not one plus one. That is what I want to break away from. I think about what the logic of poetry is and how I can translate that into film. As a photographer, the kinds of visual images that really inform me about the ideal composition is the idea of creating something that will really move you emotionally. All these things are interconnected and reinforce one another. In the end, they serve me in finding a way to create a different kind of film."
— Bi Gan, interviewed by Shahnaz Mahmud, Cineaste, Vol. LI, No. 2 (2026)